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Comments
It’s useful for a few reasons - as a backup if the main jack gets damaged, to better match the output of an active instrument (both for volume and impedance), it allows you to run two instruments into the same channel (not that it’s very likely) and most usefully for modern players, you can use the second input as a splitter output to jumper the channels, or to another amp.
I don’t find it essential, but overall I’d probably rather have it than not, and it only adds a tiny bit of cost.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It's convenient, and I do miss it now that the DSL has taken over.
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
It’s even more pronounced on my Marshall JCM800 though. I’ve ended up using almost completely different pedal boards depending on if I want to use the high or low inputs.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein