I'm long passed the point when I'm coy about the influences on my music or the true friends I owe so much to along the way.
I look back at the people who changed my journey ... and the biggest 'name' is Smilin Pete Hogman.
Who the fuck is he you may ask ... well I didn't know who the fuck he was when I met him ... but a man who was a side man of choice for Charlie Watts on solo projects and no less than Chuck Berry has to be a bit special. A man who was given a blues harmonica by Little Walter, and had his acoustic signed with a rusty nail by Howlin Wolf.
Pete was the real deal ... he introduced me to (and got me playing with) Dick Taylor, founder member of the Rolling Stones and guitarist of the pretty things ... and allowed me to be part of supporting both The Blues Band and Dr Feelgood, which lead to many other good things in my own personal journey.
Pete was the harmonica behind Millie's My Boy Lollipop ... but far more than that he was a blues legend in the UK and I was privileged to play with him. I mean ... he hated both Punk and Metal ... which I had my normal gigging bands for ... and ignored that enough in me to see my potential to play in his brand of jump blues. He was opinionated, bloody minded and wonderful.
Pete wasn't a superstar ... he was just one of thousands of hard working pros who made the 60s and 70s amazing ... he was a grumpy old sod ... a stunning slide player ... a great mate, and part of what music is all about.
Miss you dude
(Pete is centre back row) of the 60s band Jimmy Powell & the Five Dimensions
- Rod Stewart replaced him when he left. I was reminded by a mutual friend on here about him ... so remembering you pal.
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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
His Guitar/Slide and Blues Harp playing were always just right for each number played, he never showed off or was gratuitous, his wife Jilly sharing vocals…..sadly long gone, a great loss to the local IOW Blues scene
http://www.theboxwoodchessmen.com/
https://www.facebook.com/tingiants/?view_public_for=231700547508938
We used to have an old acoustic guitar in the craft workshop where we worked, he used to play amazing slide using the side a pair of scissors as the slide
Electric blues was a small scene in this country pre-SRV and everyone knew everyone else.
And so completely different to the JoBo style, widdly widdly blooze-rock scene.
As Pete would have said 'smile yer arse off and play 9ths - and try never to play turnarounds son ,... and you'll be alright.'
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Being on the same stage was a joy, he was such a lovely, generous spirit.
My band, Red For Dissent
https://www.thefretboard.co.uk/discussion/206073/paying-it-forward
A valuable lesson for all of us. Your mate sounds like a legend @OilCityPickups ;
speaking of Hendrix ...
The Isle of Wight was a very special place in the 70s: there had just been the great Pop Festivals, culminating in the 1970 one where Hendrix plaid ... and where the 11 year old me was smuggled into by my hippie older female cousins who were supposed to be looking after me ... anyway that's another story.
The whole place was jam packed with holiday makers in the summer season ... I mean totally rammed ... and it seemed that live music came from every hotel and pub. If you formed a band there were no shortages of places to play. Many like me wanted to be rock musicians, but we cut our teeth playing 'granny music' like the St Bernard's Waltz and the Gay Gordons in hotels and Holiday Camps (where you really did end the evening by playing 'Goodnight Campers'.
I learned to read music because you'd get 'the dots' thrown in front of you ... and you just had to play.
However on my off nights I had first a little rock covers band ... that turned into a punk band as the seventies wore on, then into a NWOBM band.
The Isle of wight posed many unusual problems for musos ... firstly you worked from the first SAGA grannies arriving in late April, till late September ... then there was practically no work at all till the next April. This lead to the saying Middle of the road Summer Rock and Roll Winter' ... on the Rock and Roll being slang for dole!
Of course you could buy an ex post office J4 van like my band at the time did - and do 'mainland gigs' but chances were that the ferries would stop running before you could get back ... and you'd have to spend a cold night in the van at the Limington car ferry terminal. Did that many times.
And the Hendrix connection? I saw him when I was 11 in the early hours of a Monday, morning, taken there with my cousins and their boyfriends because they couldn't leave me at home alone (they were supposed to be babysitting me).
I instantly wanted a life immersed in guitar :-)
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message