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For now, I've got a Gretsch Gin Rickey parlour and a GS Mini koa, and the latter has a far better balance. If the GS wasn't on load to a friend, I'd sell the Gretsch.
(Of course, one guitarists's "too boxy" is another's "focussed", so YMMV.)
Boxy is its own thing and certain pieces call for it. You wouldn't criticise a jazz guitar because it doesn't sound good for playing Meshuggah.
Having tried a few lately they definitely sound bigger than your average parlour.
My Faith Nomad Mini Saturn does sound boxy but to me it sounds great for certain songs.
Doug Sparkes, the owner of Auden, was kind enough to open their workshop on a Sunday for me when I was in the area visiting friends. He made me a cuppa and we chatted while I tried several models. No pressure to buy whatsoever. Incidentally, all of the guys at Auden I've met really are top blokes and their workshop manager gave my young son a tour of the place the next day in his lunch hour.
I really wanted a parlour and that may well have influenced me when I played some of Auden's OM models and didn't completely gel with them (I like OMs normally). After trying a bunch of guitar sizes and wood combinations, I ended up with a rather lovely ex-display Marlow in cedar/rosewood. It's not boxy at all, although obviously not in dreadnought territory. I can't claim to have tried loads of parlours, but I have played around eight from different brands. Possibly the best was a Martin CEO7, but the Auden Marlow certainly wan't eclipsed by it at all and was a third of the price. It really is a great guitar; addictive even.
Having recently acquired a rather wonderful Kinkade OM from this here parish, I'm playing that the most right now, but the Marlow was my go-to for sofa playing for years before then. Even getting more play time than a very nice Furch I have. The right parlour is a joy to own.
That sounds really nice.
There’s no standard so it’s usually defined as the smallest in any manufacturer’s range. I’d say smaller than a OO or with a lower bout of less than 360mm.