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There was an older series called MaxWatt which was surprisingly good-sounding and reliable, even though the build quality wasn’t anything special and they looked a bit cheap. Not brilliant, but better than an average low-end solid-state amp, and I don’t think I ever saw a dead one.
These look better made, at least from the outside.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
@NCo I'm not registered on here to be an official Hiwatt rep and this is my personal account which pre-dates my time with the company so I don't want to be seen as shilling in any way, but I'll be happy to answer any spec questions you might want to know. I've done most of the demos on the official YT channel which hopefully get the point across despite my average playing!
https://www.thefretboard.co.uk/discussion/202071/nco
Neither did I until two days ago, which is odd as these have been out for a while. I wonder if this is intentional on behalf of Hiwatt’s marketing team.
https://www.thefretboard.co.uk/discussion/202071/nco
Here's a thread from TGP, relevant info starts at comment #40, page 2, where an actual owner describes it quite well, and seems/seemed to love it - https://www.thegearpage.net/board/index.php?threads/new-laney-lionheart-foundry-60-watt-analog-ss-combos.2570757/page-2
Pricing on them is very reasonable too, I was/am tempted with the B-Stock 150w head at £295 delivered from Andertons - https://www.andertons.co.uk/search.php?search_query=hiwatt+leeds&cio_inStock=True
I love the name too - a neat double pun
Is the ‘0001’ in the description the serial number?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Jokes aside we're a small company right now and wanted to take our time getting ducks into place before we start running (apologies for mixing metaphors). And yes that's me in the 50 video.
The 25, 50, and 150 are all different amps really:
- The Leeds 25 is the only one with a class-D power section and the overdrive channel goes up from clean to roughly mid gain levels. I've actually been gigging the 25H for about six months in 100-300 cap venues using a HG112 cab and my other guitarist has just started using the 110 combo version. We're all very happy with it.
- Leeds 50 is based on the Crunch 50 with some reliability updates and some changes to the voicing. The gain channel is mid to high gain and the Vintage/Heavy switch changes the EQ and gain range.
- Super Leeds 150 and 300 use the same preamp with different power amps. Three channels with a shared EQ on the Drive channels but independent volume and gain controls. Gain goes all the way from totally clean to high gain.
All three amps have spring reverb and effects loops. We've tried to aim for Hiwatt voicing on the clean channel so uncompressed and bright when you want that, and great pedal platforms. The cleans won't distort if you push them: that's either a good or bad thing depending on your view so if you do want pushed cleans the Leeds 25 will probably be your guy.
I am more interested in the cleans, so I could do without the extra gain. Do they all sound the same in bedroom levels? And here’s probably the most expected question of them all: How Gilmourish do they get?
https://www.thefretboard.co.uk/discussion/202071/nco
If the Leeds series follow the same pattern then you could do a heck of a lot worse at the price point!
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
There’s some great information in the following thread, including pictures of the internals, would be great to get your view on it:
https://www.thefretboard.co.uk/discussion/202071/nco
In particular, notice that the two large resistors on the power amp board are mounted on proper stand-off posts - one of the common failures on PCB amps is resistors like this either being mounted directly to the board so they cook their solder joints, or held up away from the board by their own leads so they vibrate and crack the joints instead… the devil is in the detail, PCB is actually very reliable if the correct design choices are made like this and not penny-pinched.
The only real weak points I can see are that most of the jacks are poor - apart from the speaker and I think the input ones, that ‘box’ type is brittle and easy to break if the cable gets tugged - and the power transformer mounting brackets are maybe too flimsy. You can fix the jacks if they break by replacing them with a chassis-mount type and flying leads to the board, and some large washers under the bolt heads would help hold the PT on better.
If the electrical circuit design is good - I don’t see any reason for it not to be, this type of circuitry is very well understood, and just takes a tiny bit of conservative spec’ing of components to make it almost perfectly reliable - then there’s nothing to worry about at all.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
@chrisj1602 with it being a 25w 10" open back combo there will be some inherent limitations for how much volume and bass it can push, but I've absolutely been gigging both head and combo with a moderately loud rock band and PA support - crunchy cleans and then a boost pedal for a step up. We've been working on a demo video of the combo keeping up with a drummer and bassist, but it's kind of hard to get the exact volume across without being in the room!
I would expect to need at least twice the power, with even a well-designed and built solid state amp, to achieve the same perceived volume as a valve amp through the same speaker.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein