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Comments
The feedbacker is very useful, but has a fairly steep learning curve to get it to work well - the timing of pressing the pedal is everything, as well as the note and tone you’re using at that moment. Unlike the later FB-2, it isn’t really a feedbacker - it’s a simple monophonic oscillator that locks onto the frequency it’s hearing and then will play that indefinitely as long as you hold the pedal down. Once you get the hang of it you can not only create natural(ish) sounding feedback from notes or even chords, including at too low a volume for any real feedback, you can deliberately trigger it ‘wrongly’ on the pick attack or muted notes to make odd drones and machine-like noises as well.
Have fun, there’s a lot more to it than it may seem at first
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein