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Looks-wise they don't do it for me either but I must admit I was initially taken aback by his vehement dislike for them. However those defects were very shoddy, especially on the guitar costing $1300.
I loved my Epi flying Vs ... no they weren't Gibson, but they were as good as they needed to be and were cheap enough to be 'rough gig friendly'.
I see no reason these days to buy Epiphone (or for that matter Gibson in the current political climate).
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
I remember when Epiphones were like £200-300 vs maybe £1,800 for a Gibson and it was a bit easier to justify a bit of fettling, or some electronics changes.
At this sort of price you are looking at some really nice guitars at the same price or some much cheaper guitars that are still pretty decent.
Every Gibson I have owned has needed some work.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Then why buy them?
When Epiphones were the cheap options I had no issues doing work ... but a filled fingerboard on a guitar at that price point is a piss take. Gibsons shouldn't require work full stop.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
But because they were essentially good guitars that with some fettling could be great guitars.
Nothing is as good as it was and everything is more expensive than it was. That's late stage capitalism for you.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
But, regardless, this video feels a bit muddled to me.
I think it's disingenuous of him to suggest the 1959 model costs more only because of the headstock, when he 10 minutes later goes on to explain some of the differences. This is the model that Epiphone touts as being made in collaboration with Gibson Custom Shop, with Custombuckers and electronics identical to what's in the American models (not BBs as he later said). And with respect, his tone comparison isn't worth much if he isn't going to compare things like their range as he adjusts the knobs, response to dynamics, or seeing if they respond better to particular amp settings. I have Custombuckers and Burstbuckers and I could make them sound almost identical if I put the pickups to 10, or I could highlight the responsiveness of the CBs if I wanted to.
He says the feel was bad, but seemingly only because of the rough frets, as he says the neck itself feels nice. More importantly, he says he's played other Epiphone with good QC and the Lucille was even better than the Gibson.
In other words, he says you can get Epiphones with good fit and finish, these Les Pauls look the part and have good pickups, they're just too expensive. In one breath he said they'd be fine if they were cheaper but later he says don't buy them at any price.
It's just a bit all over the place.
That aside, I agree with the comment above that every Epiphone I've had has needed work. The older ones had poor frets where the top E would get caught underneath. This hasn't happened in the last 5-8 years but my Riviera needed a new bridge because the stock one rattled, and my Swingster lasted one day because a piece of wood broke off inside the first time I depressed the Bigsby arm. And I didn't like the tops I saw yesterday either, the Epiphone Greeny top looks plasticky and, well, fake is the only word I can think of.
(FWIW, this hasn't been my experience with Gibson at all. None of those have needed work, in fact the goldtop I bought yesterday doesn't even warrant an action adjustment.)
Edit: a minor complaint, but his thumbnail has the prices on the wrong guitars