So ... as those of you who have been following my double bass restoring thread will know - I've gone all traditional with my gluing options for this job,
I think when you are dealing with an old instrument and given it'll probably outlive you and your kids if you do the repair well you ought to make things as easy as possible for those coming after me if they want do more repairs. Also of course I'd always wanted to try the 'real deal' of the glues world.
The first step was to get a solution for heating the glue to a stable 145F ... and here
Amazon was my friend. and sub £30 this little beauty is bang on accurate tested with my workshop thermal probe (oooer Missus).
The granulated hide glue was not as cheap as I thought ... till I realised I'd bought enough to glue about ten double basses together! It don't take much in the granules department to make up a fair whack of glue.
So a little prep is needed the night before you want to use it - you mix the granules with their own volume of cold water (I used an old Piccalilli pot with a screw lid for this ... and pretty soon the granules will have hydrated to look like bizarre swollen caviar!


Within about a half hour of turning on the heater (time to brew a coffee) ... the glue was the sort of 'watery custard' consistency that works best.
So - I laminated up some mahogany to use for the spacers in the neck socket of my bass and I simply can't believe how easy it is.
Slop on the glue and immediately clamp (warm the parts with a hairdryer for mor 'open' time.
Within an hour the glued parts could be handled (if it was something like gluing in a neck joint I'd give it the full 12/24 hours to reach full bond strength) . Clean up was a doddle - far less trouble than Titebond - and as an as someone with sensitive skin, any that gets on your fingers is much less likely to cause issues.
After I'd finished with the glue for the day I let the jar cool down, then popped it in the fridge - mould is the enemy of hide glue, but next to the Brie and
pâté it can keep for months I'm told.
Well I must say I'm impressed - I don't really do gluing up jobs without warning, so warming up a batch of glue is no biggie - it's clean, easy and I think even smells quite nice (doggy chew anybody?). Best of all ... if you feck up you can take things apart fairly easily with heat and moisture - and you don't even have to clear away the old glue to re glue, as hide glue reactivates itself and sticks to old hide glue (not old PVA however).
Now I have thrown away so many containers of Titebond because they've gone solid with age ... that just mixing up what you need and no more is very attractive.
So if you build or repair instruments this approach comes fully recommended
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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
I have been using an antique glue pot for heating. I should probably upgrade to an electric one at some point, but its still better than the bean tin and saucepan my grandad used for his when repairing pianos
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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
It's only real drawback is its short 'open time' if you don't warm the components - the secret here I think is to work out exactly what you want to do - dry run it - warm the parts - then crack on.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Anyone need a cast iron glue pot?
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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Also who keeps brie and pate on the same shelf? Savages, that's who.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
know what the gram strength of the bolgers stuff is - i have about a kilo of it !