I made a Languendoc inspired archtop a couple of years ago. Now its time to repeat that, this time with humbuckers and the help of a CNC
Modelling an offset carve inside and out has been pretty traumatic, but I think im just about there after a couple of attempts at different styles of carve
This was the first one, but the carve was a bit too subtle, more like a pressed top look

So I had to do something similar to the carved top strats im still in the process of finishing off, but this time I need to do it with different planes to support the neck angle... after much headscratching and swearing, it's just about there.

I've not fully modelled the neck on this. I'm thinking of using the CNC to cut the neck lams and make templates, but probably not carve the whole neck.. we will see.
It won't be this colour, that is just to show the carves better than a wood effect... although it does look nice.
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I've wondered about that sort of challenge myself!
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Might have to try some test projects myself ...
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I have European Maple/Sycamore direct from the Carpathian mountains, now acclimatised and ready to use. I have a couple of sets of spruce wedges from the same region for the carved tops.
2 backs and a lot of side/binding material.
Wet with alcohol for the pic.. now i need to get that thickness sander working well to take them down the last .5mm
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This maple is pale enough it should take a strong colour well
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I've got 6 sets of sides from the 2 full size acoustic sets, plus the back panels are oversized, so lots of spare material for binding, matching headplates etc.
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Wood is rarely a perfect rectangle though, so added a tapered shim to align the centers. I could have made it more adjustable but shims will achieve the same result
These bars help keep it flat during glue up. The glue bead shows pressure is good so I can now clamp the second bar down.
Then the final bar gets added to ensure the joint is level.
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I did something similar, but with a bit less design thought and a bit more "knocking up" - just used wedges on either side of the glued pieces to ensure the joint had enough and equal pressure on it. I put a small V shaped cut out in the base plate to collect excess glue. Looks like you've used some greaseproof paper instead - which is a much better idea (saves having to align the joint over the V when clamping).