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But in terms of trying out guitars from the builders - completely unworkable from my point of view. The venue is too small, meaning it's cramped, noisy and lacking real space to try guitars. This year they set up two playing booths slightly away from the main floor, but the background noise levels were still so high that it made it impossible to hear or evaluate the sound of a guitar.
The lack of space also meant that each builder could only showcase one guitar. They got to swap them out half way through the day for a second guitar.
The workshops were bit of a non-event; only 30mins in length, and nothing of any substance shared, although it was great to discover Will McNicol, a new player to me and his showcase piece during his workshop of Radiohead's Everything in its right place was sensational.
Check it out on YouTube!
The 3 performance slots in the evening were pretty good, Adam Miller (also new to me) is an incredibly talented player and did a fabulous 45min set.
Food wise, there was only one small caterer serving food, so the queues were pretty long and slow. Great beer at the Rooster brewery tho!
Overall, I'd say it's mostly a socal event, and for the builders I'm sure it was a great weekend mixing with their peers. As a punter, I found it mostly frustrating to be so close to a whole load of amazing guitars but not really being able to enjoy trying them out.
I bumped into a couple of mates which made it worth the visit, and I enjoyed the performance side of the show. But as I said, the venue didn't do justice to the beautiful instruments on display.
The highlight guitar for me was from Oska Burman; just beautiful craftsmanship and aesthetics. I did play it but really couldn't tell you what it sounded like!
String Break could never attract the numbers to make that work financially, but there must be a better option than a taproom location.
Maybe I just had the wrong expectations of the day. As a social event it works OK.