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Sorry - you said gigging board. Can’t read!
I take a Matchless Laurel Canyon when I know I can wind if up (or both that and the TMDR if I have space) but the TMDR is the default
By that I mean that it weighs so little that vibrations on the stage would make it move. I played a gig on a HGV trailer where the sound crew wanted it mic’d up, and it moved away from the mic by a couple feet during the first song. So to put it on a car mat.
[edit: of course it was close to the drum kit so that would have been a factor).
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would a TMDR feed back nicely with plenty of gain? It’s a key part of my sound, being able to control feedback and almost use it as a ‘pad’ at times. I’ve no idea if digital amps could do that, as I’ve only used valve amps.
I'd say 90% of the bands I saw, the guitarists were playing Tonemasters.
They sat in the mix incredibly well, from three piece to ten piece jazz/blues with horns and keys.
I'm now keeping an eye out for either a TM Bassman or Princeton.
Tone winner was a Nash tele into a Princeton with just a Zendrive in front. Its making me rethink my HH set neck multi-fx life.
Am a big fan of valve amps, but truth to be told, if I were buying a new amp for gigging now, I'd probably go the TM route.
I'm not sure it would be worth having a tonemaster version of a Princeton though as the real amp is light anyway.
It's the package that makes them great tools, not just the weight