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Rickys are great and not one-trick ponies at all. I’ve had a few and a couple of things I’ve learned from gigging and recording with them are:
1) Not all hi-gain pickups are the same. They’ve varied the output over the years quite dramatically. The higher output ones (around 14K iirc) are awful and have very prominent mids that are very hard to eq out. I don't know the exact history here, as they’ve come and gone, but I found they were very common on 330/360 models from around 2000-2007. 2007 is definitely the year they changed back to lower output hi-gains and they’re great after that. Pre-2000 I’m not sure. Toasters are good if you can find them, but I found them a bit thin for recording.
I don't know if it's my imagination, but with a rocky sound it seems to sound better the more aggressive I play.
Petepassion - Trading Feedback Discussions on theFretBoard
narrow nuts - ok for me I have slender fingers but it’s a blocker for some.
The pickup pole pieces are adjustable and it’s helpful to adjust for height
I use ground wound strings and a foam block under the R tail piece - that keeps the sound really focused
I always use both pickups blended to favour bridge pickup
I use comp and EQ to get THAT tone v.
not massively keen on the lacquered fretboards but mostly I’m using these guitars for edgy chord tones
Ruby Red 1988 360.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
https://www.rickenbacker101.com/
The powerlines have floaters so the airplanes won't get snagged...
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