Slightly more multifaceted, but the title is already an awkward one.
There’s some gear I own specifically because it (both) does what I need it to do in general and specifically works really well for certain projects I’m in.
Sometimes it’s annoying though.
Like, (as a basic example) I really fancy getting a Two-Rock again, but it’d probably mean (reluctantly) selling my SLO (which I really really love and works perfectly for my Lizzy tribute and my 80’s hair rock band) and the Two-Rock, whilst being great, just wouldn’t work as well in those bands and so it’s very difficult to justify it. Although I’d definitely enjoy it at home and I’d maybe try it for the Lizzy stuff.
Same with some guitars. I’d occasionally jones for a Tyler, but it’d likely mean offing my R8 and then what the hell am I gonna play in Lizzy? A Strat-Style anything isn’t going to look right.
The projects seem to dictate my gear choices, and whilst that isn’t unusual, for me it can sometimes create a bit of cognitive dissonance when my personal tastes change, even though my musical projects do not.
Anyone else experience that kind of push pull situation??
Like, if I wasn’t in bands, I’d probably own slightly different stuff even though I absolutely love aforementioned R8 and SLO.
Ultimately we know the answer is just buy more stuff and fuck the consequences, but y’know…
Comments
But I kinda like that fact. I can always buy the guitar I want just for me at a later date when I havent got a good project on.
I wouldnt make that decision however if it were a project that I wasnt 100% into. Then its a take me is I come or find someone else kind of thing.
I suppose I might if I was in a proper tribute band where everything had to be right from the outfits, to hair, to guitars etc, but other than that it's not important to me.
I've never changed my rig for a band, I've just used what I like, and I don't tone chase even for the most famous of songs. I'm playing a cover song, I'm not trying to be the original. So if the original was played on a Fender amp then I'm still going to be using a Marshall.
Other than a tribute situation I want to be able to interpret not just copy.
Fancy a laugh: the unofficial King of Tone waiting list calculator:
https://kottracker.com/
It's the stuff I like owning but that doesn't get used for week-to-week music-making that feels like it should be the stuff I ought to consider moving on. Being out of bands for a bit saw me buy far more guitars than I reasonably need. Now I'm getting back into it again and finding I only use two or three of them for those specific projects.
I'm in 4 gigging bands currently and 3 of the are covered with a Tele, pedals and a Hotrod. The other band, the indie eighties band is covered with a Strat, pedals and a Hotrod.
For me 95% is copying the phrasing, attitude and melodic path of the material. The other 5% is gear but I'm not bothered enough by that to use certain gear. I played in a Rock a billy band for 3 years and they wanted me to get a Gretch, I just used the Telecaster.
No, not really…we’re a ‘spit & sawdust’ tribute to the Bon era…Lincolnshire-based…called ‘Gone Shootin’