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I play guitar and take photos of stuff. I also like beans on toast.
When building your own, start simple with just an amp and cabinet. I have found that on nearly all my Helix patches I tend to have treble and/or presence set very low on the amp model.
In terms of mic selection and position, if this is new to you best to go with something simple like the 57 Dynamic set fairly close to the cab to start off. This is what a lot of people would do in the real world, if it doesn’t sound at least good with a 57 on it, then changing mics probably won’t help.
Then in terms of tightening things up I quite like the modelled Klon in front of Fender amp
models - gain set low or off just providing a bit of push.
In terms of fattening the sound try setting a slap back delay with one single repeat and the mix level at about 10% or less, you won’t necessarily notice when it’s on but you will when it’s off.
Otherwise, set the amp volume to where it sounds best to you, and then use the cab output volume to control the level.
Bummer. I really can't be arsed falling down a headphone rabbit hole.
One gripe I have is the crispy clipping of the tweed amps when breaking up into drive... my real ones don’t do that and it’s a bit of a shame as the models do the about to blow up sound really well, but fail at imbetweeny drive.
What does make up for things is the new Carvin pedal, I’m a huge Vai fan and this pedal into the clean Friedman nails his tone, you know, the fuzzy low end thing into singing lead lines. Really amazing addition.
Gonna one of you do me a favour and try this patch out?
https://line6.com/customtone/tone/4207036/
It sounds really good to me but its spectacularly hissy through both my headphones and my speakers and I find it hard to believe Jason Sadites dialed it in like that. I'm just wondering if its something about my setup or what.
I downloaded that a couple weeks ago & thought the same as you. I think I put a noisegate at the front of the chain to help tame it. In the end deleted it!
Shame there’s no kind of quality control on Line6 CustomTone.
Its not "this doesn't really sound like the video", so much as "have I got something setup wrong somewhere"?
The Britt ones sound fine, but the Sadites and DeLaune ones are overly loud, harsh and have completely mis-matched volume levels between snapshots.
If the patch was “composed” using a humbucking and/or shielded guitar and you are using single coils and/or an unshielded instrument that could explain the hum.
It could also be the case that any noise gate settings in the patch need to be set to match the output of your guitar. Or potentially you might need to add a noise gate to the patch to keep things under control. The Helix gates are pretty flexible so you should be able to make them work, just set the threshold to the point where the hum is gone or mostly gone and adjust the attack and release to taste.
Otherwise, if there is too much top end stuff going on, the quickest way is to just reduce the frequency on the cabinet block low pass filter. I’ve found that somewhere between 6 and 9khz is the sweet spot.
I found with the few Jason Sadites presets that I downloaded that the Wah was already on when uploading into my Helix. Took me ages to figure out why it was noisy and very bright.
I just tried the patch in Helix Native, because it's easier than faffing around with my Helix LT.
I found that the Bias level on the Amp has a significant effect on the hiss. On my system the patch opens in Helix Native with an amp Bias level of 6.5. Backing it off a bit (to say 4.0) helps to reduce the hiss. It's a compromise because the sound loses some body if you back it off too far.
'tis a strange phenomenon.