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@10:30
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I might cry if I can't get a Strymon Big Sky for my Christmas.
I suspect that I may well be crying this Christmas. Alternative will be to buy a s/h Blue Sky if they start "flooding" the market.
Usually I play with no verb, just a little delay, but when it's called for, lots of good reverb can be perfect
Strangely, I've found that my baritone guitars seem to want more reverb than the higher-pitched normal ones. I had assumed the opposite
I think for big reverb, you really want the best algorithms / IRs and top notch design. If anyone has found a cheap alternative to Strymon, TC, EHX cathedral, Axefx, please tell me, AFAIK you need to buy at this level to be really content with the sound, since once the reverb is the most dominant sound, it needs to be as close to full-studio-quality reverb as possible
No I am not being hyperbolic. I genuinely believe that. The mod effects are good, but somewhat limiting. The reverbs and delays are right at the top of the list with some of the best in the business.
The main problem with the MS unit is the lack of extra footswitches to improve the live usability.
loving mine and performed very well at my open Mic :-)
what have you compared it with? Or have you seen a review that does?
The demo doesn't include any of the complex reverbs I would be wanting, hence me asking
Also, a lot of pedals suck tone - does this pedal avoid this? It's never possible to tell from a video demo, even the EHX Cathedral thins stuff a little. On the digital FX, I haven't heard many pedals that preserve the original tone too. Strymon and TC definitely are OK, I have tried them and been impressed
I have owned: Eventide Space, TC HoF, Boss RV3, RV5, GT-100, Hardwire RV-7, Line 6 M9, M13, and the HD500, and the Kemper. I have used the Axe-FX also.
Not trying to convert anyone, but I was supremely impressed with the MS70CDR. It's the first Zoom product that I genuinely thought sounded high-end to me. Also in my setup the Zoom is quieter than the Eventide Space ever was - that was probably the most disappointing pedal I've ever purchased due solely to the noise floor.