I have been "anti" Les Pauls for as long as I can remember. I had a Classic for 3 months or so back in 97(ish), but I just couldnt get on with it. Not quite sure why - a combination of neck profile, shape and weight I think.
I had resigned myself to this, and have gone the PRS route for my classic rock guitars - currently a CU22 with BK Mules and a CE22 with HB sized P90s by Cats Whiskers.
Anyway - as I approach 50, I cant help thinking "I really need a LP". I have the Strat, and the Tele among other things - but Im getting itchy about not having a Gibbo.
So - yesterday I tried a couple as I had some time to spare, and the new standards seem pretty nice in the hand. I didnt have the issue with the shape as much (maybe its because Im now used to the Tele which I hadnt only bought in 2007) and the neck seemed a much more natural fit in my hand.
This is NOT a tonal thing - I can cover the LP ground close enough - its about having a LP just because.
So - do I get one? IOd need to sacrifice on of my PRSs, as Im at max complement with my guitars. Thing is this complicates the matter. Id rather keep the CU22, BUT that means the LP I go for needs P90s - proper ones really, but I also want a translucent flame/quilt top which seems an unlikely combination. The other option, is to either put HB sized P90s in either the CU22 or the LP. Wont be the ones I have as the covers are wrong, but something similar. Lollars or Fralins maybe. I cant decide which Id rather have the HB and which Id rather have the P90s in though.
Really struggling with this.
I have the same issue over an amp lol. I love my AFX - and have a Fender Machete for valve reference - but Im going to sell that and treat myself (again for the big 50) but cant decide on a Friedman Buxom Betty, or a custom MJW. Martins option would be better value for money, but how close to the Betty (with a few added options) can I be sure of getting.
Im not good at these choices obviously.
Comments
Putting P90s in a flame/quilt top would look fine, it just looks even better on gold or ebony.
Someone on here is selling an amazing Les Paul Custom in Ebony with P90s.
http://www.thefretboard.co.uk/discussion/81498/fs-2003-gibson-les-paul-custom-54-black-beauty-2750#latest
Would be a proper special guitar for the big 50.
In terms of amps, I suggest something that has the basic tone you reguire, everything else is possible with add on devices but you should start with the core tone even if it becomes a single channel amp.
Thing about guitars, I just dont like block colours. Ive tried. I just want to see wood figuring. Doesnt have to be heavy over the top, but It needs something. Even my strat is a select with flame top, my Tele is natural which shows some figuring, and my Tokai has subtle flame as well.
I could have done with someone telling me that just before I bought each of them (except perhaps the first....)
A goldtop p90 would do perfect for starters and then when you love that you can move onto and standard or custom followed by a custom or standard when you accept you need both.
It's not compulsory to own a Les Paul. Personally, I can't stand the things.
Of course if you find one that you really love, that's a different matter.
If you don't find one you absolutely must have, save your money.
The issue for me is their ergonomics - they are 'so' different from a Strat, I just cannot make the transition. The bodies are too think, the way they hang on a strap, the way they balance when sitting down, the switch on the upper bout, the volumes are too out of the way, the bridge too high off the body, upper fret access, etc, etc.
Some people (Mark Knopfler is a good example) seem able to swap easily between the two - I can't. That's why I compromised with a PRS McCarty for some time - but I've moved that on (well more accurately, it's up for sale in a shop at the moment) and have come to the conclusion that the only twin humbucker guitar I really need is my 335.
I think if I'd started playing an LP rather than a Strat, I may well struggle with Strats - but I'm just too familiar with them - they feel like 'home', in a way that no other electric guitar does.
This is my experience - as always - these things are very personal.
On the bridge pickup with the tone rolled off to 7, amp cooking and an overdrive pedal pushing it hard there is nothing quite like it.
Its the ergonomics I always struggled with. When I had my Classic, I also had a US Sambora strat, and found with the mid boost on, the neck PU of the strat was just so close to the LP......and it was much easier to play.
I guess what im struggling with, is that "holy trinity" thread. I guess I feel as a guitar enthusiast, then a strat, LP, Tele and 335 are kind of essential. Sure you can get tones/sounds out of a lot of others - BUT they are probably the classics. I have 3 of the 4, along with the superstrat/Floyd in the Suhr and a P90 in the CE. I guess Im just thinking a LP for the collection more than the playing. 1 x LP and 1 x PRS seems more "logical" than 2 x PRS - whichever (LP or PRS) gets the P90.
I guess with age comes a little disposable income, where I dont actually have to choose one or the other. OK I cant stretch to an "R" (unless a used R comes in at a similar cost to a new standard - circa £2k) but a standard is in reach with the sale of one PRS.