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@professorben, Laney Lionheart L20H, immaculately clean. :-)
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I thought one of the strong points in the clips I've watched was how well it responds to different amps - Pete Thorn makes a big deal of this and runs it into clean and dirty amps, even showing how the eq will cope with a bright switch that usually makes drive pedals struggle.
maybe a bit more experimentation needed?
Cool, that's a kind of Vox like tone? Or am I totally off the mark?
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
thanks
Jon
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Cornford 2x12 with V30's
I did a very hasty iPhone recording of some lap steel with the BE-OD into the Bantam. It was quite loud and borderline clipping the mic, and the playing was a bit shit etc etc
https://soundcloud.com/the_supernatural/holy-shit
Although V30's can be a bit top-mid harsh.
I thought the enclosure was a bit naff though... Light, but that is a piece of plastic slapped on the top unless I'm mistaken. It's no Suhr enclosure that's for sure!
might be worth looking at this video, around the 12:39 mark, he plays the BE-OD through 12 different amps.
Also with my friedman amps the pedal required adjusting to each amp, is it as good as a full sized friedman amp at full chat, no , Is it better than some amps overdrive channel yes, as a pedal its the best distortion pedal ive come across without a doubt.