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Comments
It was beautifully built but I found it's odd 3d-ness quite uncomfortable sometimes. The top horn curves back in towards you. There's also a 'tone chamber' control cavity on the back that stood out further than I liked. The trem was the smoothest i've ever used and the neck has a lovely offset carve, very comfortable and beautifully fretted, with glow in the dark side dots. Overall the build quality is exceptional.
The pickups are the worst I've ever experienced (sterile, characterless and not really replaceable) and the control layout, although looking quite cool, is actually quite difficult to use. Not much use for quick volume tweaks, and the big round button is the pickup selector - again not much use for quick on the fly changes - though it has a push-push that goes to bridge-only if you want to get there quickly. The Wilko trem had that zingy warble they sometimes have too, though the smoothness offset that.
Overall i enjoyed owning it but don't want it back. I would like to try a Tesla though.
I won't spoil the surprise for anyone who hasn't seen one.
Don't talk politics and don't throw stones. Your royal highnesses.
clearly he has doubled his 'f' in the hope of avoiding detection, but this monsterous half-aplen-half-shovel is a dead givaway isn't it.
by this marque you shall know him.
Instagram
To prove I'm not being a luddite - I'm seriously considering getting an NS CR4 Radius Bass to complement the P, the Stingray and hopefully a vintage J
The CR4 is curved for body fit, it's headless (well, it would be, being NS!) and it's full of nice little innovations (like the bridge) - but it still looks freaking cool:
Instagram
Rather sweaty gig this one.