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”That is the plan but we haven't implemented it yet. The hooks are all there in the firmware. The idea is a "Performance" page where you select up to 10 global parameters that you can adjust at any time.”
https://forum.fractalaudio.com/threads/things-about-the-iii-you-may-have-missed.134852/#post-1594529
Also envelope followers on input of ambient blocks:
“Another cool thing is some of the "ambient" blocks have built-in envelope followers on the input for swelling in the effect without having to use a controller.”
https://forum.fractalaudio.com/threads/so-whats-new-on-the-iii-axe-fx-2-vs-3.134729/page-13#post-1594532
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
in my opinion, the Axe-FX, all versions have a few killer features that differentiate them from the competition..
and tone isn't one of them - even though the tone is superb..
- the grid: this feature blows away all opposition as they use one or two fx chains.. the Helix is more powerful than most because it has a pair of chains and each chain has a loop.. as good as the Helix is in this area, it still does not come close to the flexibility in the Axe's 4x12 grid..
the Axe-III has a 6x14 grid.. the addition of 2 rows and 2 columns is a pretty powerful improvement that really caught my eye..
- modifiers: all fx units out there can control fx parameters via controllers.. most common is to be able to set min / max values [2120 / Helix etc].. as useful as that is, it does have limitations.. the VG-99 has min / mid / max and range [to set where on the throw of the expression pedal the min / max values take effect].. this I found to be a massive improvement over the standard min / max... the Axe assigns fx parameters to modifiers which in turn can be assigned to controllers .. the are lots of types of controllers [LFO, step sequencer, external <an expression pedal or switch>].. modifiers allow you to have a huge amount of control over the min / mid / max and range values and also create curves so that you can determine the rate of change.. this is massive if you're into real-time control [which I am]..
I don't know if the Axe-III will be adding new capabilities in this area..
what the Axe-III does give you though is the ability to store more data in the presets.. if you have a complex preset with a huge amount of control functionality going on, you can reach the limits of what can be stored.. so you may not be exceeding CPU limits and not have used up all available modifier slots, but you've simply cannot fit anything else into the preset..
I've reached this limit a handful of times... but the solution is simple.. copy the preset and spread the functionality you need across both of them.. but with 384 preset slots available I've never found that this limitation holds me back in any way at all..
with the Axe-III you'll be able to do more in a preset before hitting this limit..
also bear in mind that my presets are insanely huge and complex by most standards and I've only encountered this limit 3 times in the years that I've had the unit...
So so in the case of envelope followers on the input on the Axe 3 to swell the reverb it likely has a longer attack time built in.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
that's interesting.. it'll allow you to shape the reverb tail without having to place the reverb in parallel and assign an ADSR modifier to the input level of the block
EDIT: to be honest I've never done this or messed with it..
but thinking on it you could do some interesting stuff..
set the attack time so the reverb will fade in when you play longer notes, not strongly effect the pick attack and keep the tone a little cleaner when playing faster licks..
a moderately long attack would smooth out the 'bump' you can get from larger pre-delay settings
https://www.facebook.com/fractalaudio/videos/10157227206814517/
Money is not as flush as it once way, and Ive just spent £2k on a keyboard.
Ultimately re the AXE 2, The modelling is going to be the same (at least initially) so the actual sounds wont be any different. Theres lots more power for bigger patches, and more options with the channels (I like that) and routing - but unless you need better real time control (I dont as I have a Rac12) or run out of processing power building patches I cant justify changing.
That may well change. Im still running an AFX 2 mk 1, and switched to that from my standard when it was on FW 5 I think (might have been 4). Ill start saving, if its a couple of years till I get one then thats juts fine.
I DONT like that the MFC isnt fully compatable - that is you cant run it in AFX mode, so its just a midi controller. I like lots of physical buttons and dont like having to switch seams to get to the ones I use.; An 18 button controller would have been a great option for me. So, if yuou want the full flexibility of the AFX 3 plaus controller you have to get both - serious money.
G66 are hoping to sell the AFX3 for 2499 Euro, so around £2300, but the controller will be something like £500 and 800 for the 6/12 respective. Thats a £3k outlay....and I dont gig any more (as I swim coach - but that might change down the line).
So - as I said, Ill live in the dark ages with my Mk 1 AFX2 for a2-3 years yet and fight the monster in me that says I have to have the best available - despite my less than best talent and useage.
IIRC some established bands continued to run ultras even when the 2 had been out for a while - I seem to remember a rig rundown from Coheed and Cambria to that effect.
in addition to the 'more of everything' in the Axe-III, channel switching is the killer new feature..
that is the feature that would be the revolutionary additional piece in my preset building
I'm thinking that my live requirements may well sit within just 1 or 2 presets
this is the thing that will make me buy the Axe-III when some spare dosh becomes available
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
however... right now I have other priorities..
none if which are music related..
booooooo ! ! ! !
Channels and the sheer amount you can pack into presets are the biggest draw. No more compromises or work around with presets - not that I particularly mind that.
I also am very tempted indeed..... and couldnt see myself wanting or needing to upgrade again for years.
That's my justification anyway. I just hope we don't get too hammered with the EU pricing.
1. £100 not to need an external headphone amp
2. £150-200 USB audio interface
3. £250 faster switching
4. £250 using two amps at once
5. £200 more DSP
etc.
It's almost a bargain!
Plus although there might be some niggles on early adoption - it means the product has the maximum shelf-life.
Practically, I love the AX8 more than any other unit I've had, and could make what passes for music with it for the rest of my life - but if the total package including FC12 isn't punitive, I'm in
I'm also an AX8 user, so we are coming from the same place....I'd like to think it's going to satisfy my amp & effects wants and then some - and to be fair the AX8 has already pretty much, it's just those extra features that will eliminate the need to get creative with attaching parameters to scene controllers and be more selective with reverb choices etc that will be so good
I also agree that being able to just plug in the front with headphones is a real bonus. I bought a Focsurite purely for that reason with the AX8
It's a bit frustrating that the foot controllers are likely to be several months behind as I'll need to keep my AX8 as a controller until the FC12 becomes available, hopefully I'll be able to get a decent price for the AX8 when it's time to sell.