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I play guitar and take photos of stuff. I also like beans on toast.
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Comments
Two 2x12's will definitely give you a much better spread, IMHO
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
But then it's only one more short step to Wet/Dry/Wet...
I'd want my Series One 200 as the dry amp with its 4 channels and then I'd need two more 100w models (EL34's) either side in stereo coming out of my multi-FX in 2CM.
So that's three amps (Blackstar Series One), three oversized Series One 4 x 12's loaded with V30's and the compulsory partridge in a pear tree.
I can't afford a van and I'm not great with lifting heavy stuff.
This is why I'm not there yet!
lol.
For your set up I'd always want to have a cab either side, no matter how many speakers it has.
Panning and ping-pong delay have never been so much fun.
Good luck with it mate.
I like to run 2 2x12s live where possible. (In a 3 piece band so not competing with a second guitar)
one has 2 V30s the other 2 greenback-esq speakers.
For the dry sound I use for 90% of a set, I find it fills out the sound better than a 412. especially as you can angle them slightly inwards towards front of stage, getting rid of some of the directional effect of a single cab.
the other 10% has stereo reverb/delays bouncing between the cabs.
I give the sound engineer a choice of mono or stereo DI signal from helix. Not once have they chosen stereo.
so really the wet sound is for my own indulgence/ the first few rows of the venue. But filling out the dry sound makes it worthwhile in my eyes/ears/ego.
It sounded great, but tbh, most gigs it was a struggle to fit them on stage.