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ICBM: Yes sir
Merlin: Are you listening?
ICBM: Yes I am
Merlin: Marketing.
I’m absolutely not arguing with the subjective experience of somebody who’s probably seen, played through, and spread across the bench a wider variety of amps than I’ve even seen but I imagine I’ll still be perfectly happy with mine the next time I switch it on, and that a lot of other players who haven’t played through one before and use it as a house amp at jams will continue to be perfectly happy with it, comment on how impressive it is for the money, and wish that kit like that had been around back in the day...
And I really would love to know why...
After weeks of experimenting with the software editor I managed to turn it into a good sounding, versatile practice amp, but without the dynamics or headroom to work in a band.
It's the only amp I've ever owned which could be both too loud and not quite clearly audible at the same time.
*An Official Foo-Approved guitarist since Sept 2023.
I pretty much use the clean channel with varying drive and boost with a bit of spring reverb and some occasional tremolo.
So ner.
I’m so bored I might as well be listening to Pink Floyd
Band Stuff: https://navigationofficial.bandcamp.com/album/silhouette-ep
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Just seems odd that there's so much love for the range yet ICBM has so much hate for the poor thing?
Probably (correctly) aimed at beginners like me, who are content with “near-enough” onboard effects and bedroom-player sound levels.