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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
How did you record? 1 mic in room? Multi mic into DAW? What processing have you already done?
How did you record it, out of interest?
So for this we had the following channels:
kick D112
kick superlux boundary mic inside drum
2x behringer SM57 clones overheads
"kam" no model drum mic on the snare
superlux e609 clones on both guitars
genuine SM57 on the vocals
bass was taken from the DI out of a mark bass mini-head
It has fairly minimal processing, low and high pass filters and the guitars have a tilt to bring up the mids and highs. The kick drum has a bit of a low boost with a corresponding cut in the bass. All the drums are sent to a bus compressor (JST bus glue) and the snare and vocals are sent to reverb.
I did the mix in about 30 mins just looping a couple of representative sections so could def be polished a bit more, the solos could be brought up with automation for example.
I agree the bass is prob the weakest point, Im kind of tempted next time to put the bass straight in to the interface and get a DI then put it back out through the amp then take the DI to the PA. That was I can use parallax on the bass and its basically impossible to make that plugin sound bad