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Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
A shuffle could basically just about be scored as 6/8, which would sound very much like dum-di-dum-di, but would be 2+1+2+1 quavers. Which is almost the same as 1.5 + 0.5 + 1.5 + 0.5 crotchets. The ratios aren’t quite the same but they sound similar.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
I’m so bored I might as well be listening to Pink Floyd
My understand of 7/4 time signature, is that you should count it depending on where the accents are, and thus need to split the count up to reflect this
For example in 4/4 the accents on the bass are often on beats 1 & 3
In 7/4 you may find it better to count it 1-2-3 / 1-2-3-4 or 1-2-3-4 / 1-2-3 depending on where the accents are.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
I was in the right, yes, absolutely in the right. I certainly was in the right. That geezer is cruising for a bruising.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
There are two ways to play 5/4:
12-123 (2+3)
123-12 (3+2)
There are three ways to play 7/4:
12-12-123 (2+2+3)
12-123-12 (2+3+2)
123-12-12 (3+2+2)
In terms of phrasing, emphasis/accent is always on the 1.
If you play uninterrupted quarter notes, 12 is downstroke-upstroke with the pick, 123 is downstroke-upstroke-downstroke.
So playing the 2+2+3 variation of 7/4 goes: down-up-down-up-down-up-down---down-up-down-up-down-up-down---down-up-down-up-down-up-down---...
'Take Five' uses the 3+2 variant of 5/4. So you never count it 12345, you count 123-12---123-12---123-12---...
One, two, three, one, two, three, four