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I tried a compressor within a band context for a bit and just didn't like it. Never found that happy place where it didn't mess with my playing and you could tell it was still on. Somewhat randomly I heard a recording of one of those gigs which was our usual anarchic self but my clean tone absolutely popped out the mix.
Like my other examples I think sometimes the more you hear things as a producer might and the less you think about them as a guitarist the more they work in context.
I have recently discovered fuzz/muff medals - I always thought they were basically distortion but they sounds nothing like it - I use a klon after the muff sound to make it less wooly but I like the sound.
Bought a Rat2 in the Eighties and never bothered much with any other overdrives or distortions until fairly recently.
Now I find I am always playing around with different Reverbs, magical sound, I just think I found it sounded mushy live back then
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