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By the same convention, on a regular Telecaster, neck PU would be labelled 1 and bridge PU would be 3.
I rarely use parallel wiring on guitar so was just going to do this as a stopgap setup, as I’ve got spare resistors.
https://www.thefretboard.co.uk/discussion/comment/3552983#Comment_3552983
Regards, @CasperCaster
http://www.thefretboard.co.uk/discussion/89942/caspercaster#latest
If the switch terminals shown there are
1 2 3 4
5 6 7 8
1 - green
2, 3 and 7 - red
4 - black and ground
5 - n/c
6 - resistor to 7
7 - red from 3
8 - white
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
http://www.thefretboard.co.uk/discussion/89942/caspercaster#latest
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
3k resistor for the partial split. Humbucker is a Dimarzio D Activator, in a baritone parts telecaster
It’s been useful as I’ve never been able to compare partial split within parallel before
For my tastes the partial split has way more useful character for my own enjoyment and would be my preference for recording
For a live use instrument the parallel option would make more sense as it’s noiseless.
Cheers!