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Then, depending on your interface's Maximum Input Volume (for the DI/instrument input), a further tweak on the plugin's input control to align it with the ideal level expected by plugin.
I did try this over lunch (Audient EVO 8 + Neural stuff) and I thought I got a lot more out of the plugins...especially on more powerful pickups...which makes sense (feel slightly daft now). It wasn't so obvious because I always left a decent amount of headroom; heeding the advice that recording to digital isn't like recording to tape.
https://thefretboard.co.uk/discussion/comment/3754088/
Resulting tones sounded great though.
Ah gosh, I hadn't realised! Well, for what it's worth I know he's got a good reputation and is well thought of! Also, I was leaping into the video cold and maybe a regular viewer would have some prior assumptions and knowledge.
When you open Native, at the left hand side of the signal flow window there's an input meter and a slider. There's also a nice helpful green section highlighted between -12dB and -36dB. When you play your instrument you should see the signal in the meter.
You want to set the input gain of your interface, and the slider value in Native, so that both your hardest and softest playing sit within that range. That's all there is to it, really. I have a Komplete Audio 6 and I'm not sure where 0dB is, so I set the gain knob on that to half way, and then make fine adjustment in Native depending on what instrument I'm using.
Page 10 of the Helix Native "pilot's guide" basically tells you everything I've just said.
it sounds good. Not rocket science.