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Comments
No I am not being sarcastic or flippant. They really do all sound exactly the same. And people all use them in exactly the same way.
Gear is really making me snore recently. They need to focus on workflow and ergonomics instead of algorithms.
The same could be said for drive/distortion/wah/delay/chorus etc etc etc
As I said, I would rather companies focused on live performance workflow and visual ergonomics than yet another shimmer algorithm.
As some of the previous DL4/M series versus Timeline videos have shown, there really isn't all that much in it. I reckon the same is true if you put a Hardwire Supernatural next to this Big Sky pedal.
People need to listen with their ears and not their eyes or their fanboi cards.
I'm terrible at tap-dancing...
That's my view based on sound clips, reviews, personal experience, and some knowledge of DSP. Take it for what it is worth - which is exactly nothing, coz it is just an opinion, however ridiculous you think it is.
RE: the word 'exactly' ... if you can't tell flippancy from a serious comment, then I think perhaps communication isn't for you.
Maybe internally they are similar, I wouldn't have a clue how to put one together! but from using different pedals and having pals who use more higher end stuff than me I can hear a great deal of difference between them so there must be something in it?
Anyway I'm sure it's all opinion based and arguing over the internet about it is never going to get me (or you) anywhere. I like what I like and you like what you like.
After all it is only a guitar pedal....
*no sarcasm added this time
Remember, it's easier to criticise than create!