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With hindsight, it would have made more sense for me to reach into a pocket at the appropriate moments, and play the solos on a kazoo.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
ICBM said: frankus said: I love switching from jazz - blanket over the amp sounds to twangy country sounds, apart from no tone on the bridge (as per my strat and the tele) the 4 knobs is the best way to do it...
it confuses the hell out of me though ... is it tone below or tone behind?
Wait til you try a Rickenbacker! )
I apologise for having so badly diverted this thread, by the way .
Other pedals that miss the point… modulation and delay pedals which have too low headroom to work properly in an effects loop, or which digitise the dry signal path without the option of a 'wet only' setting. (The flipside of this is amps which have too high a loop level to work with most pedals, or parallel loops which don't go to 100% wet.)
Not to mention Reversed effects that have wet only or no wet / dry mix (Hardwire RV-7 & DL-8 )
I prefer to have dry signal as well, with the reverse as more of a separate effect. It's an absolute bugger to play anything like in time if you don't have any dry signal in the mix.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein