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right see this is exactly why I need you guys, the details for ID core say "6 classic channels" so that's amp types right? then says "12 stereo effects" is that not the FX stuff?
is a loop something else I need ? I know a loop is a bit of a track going round and round again as a sort of base to play over or around, but soz mate I'm just a bit confused with all the options
but I can't thank everyone enough for all the advice and PM offers of super cheap amps, you guys are super helpful
Re: the Boss Katana's, having owned both the 50 and the 100, the 50 is the way to go at home. The 100 is bigger, heavier and to me, more designed to be a gigging amp.
The THR's are a great shout but they are hi-fi speakers a bit like monitor speakers and as someone said they're designed to reproduce the recorded, mic'ed up tone, not the actual amp itself. They are great bits of kit, especially when you pop open the THR patch editor and change the cabs etc.
The mustang's are great too but the stock patches are mostly awful beyond the fender model amps such as the deluxe etc. They also seem to over-egg the bass a little and can be quite boomy in my experience, it's like they're trying to simulate the speaker pushing air and the cabinet vibrating sympathetically.
If you're not too arsed about having something take up a little bit of space I'd go for a Boss Katana 50. If you need an all in one that can work as a great jamming tool along with recording I'd say the THR10.
All personal opinion of course!
1) FX loop on an amp is not the same as a sample loop. They just happen to share the word "loop". A sample loop is what you've said: a "tape" of a bit of your playing which you record and play back, usually through a pedal like a Ditto etc. But an FX loop is something totally different. (see below.).
2) An FX loop on an amp is something which is not on every amp. And like everything else on amps it's something which is better or worse on different amps. Think of it like this: you plug your guitar into the front of the amp and it gets louder and distorted etc. But if you wanted to use your favourite echo FX pedal and you plugged your guitar into that and then into the front of the amp all the echoes would get distorted. You might not want mushy, distorted echoes. So... an FX loop is basically a way of plugging the echo pedal (or other stuff) around the back of the amp so it doesn't get distorted and blending it back into your guitar sound. Do you need an FX loop? Dunno. But if you do need one and your amp hasn't got one then you've got the wrong amp.
The ID core has some FX built into it. Nice if you like them but rather restricted if you don't. And if you wanted no restrictions you'd probably want your own FX pedals and that's why you might want an FX loop. Some people find the loop essential; others don't.
I'm really loving it (the hall reverb is really impressive), and the amp itself is surprisingly loud. If you don't want to pay full price for it, then picking it up used is a great option. It's super light and convenient, which makes it great for grab and go to a short notice rehearsal or something.
I don't think you'll be disappointed with a THR10, considering the options it has and especially if you can pick one up used cheaply.
Might be worth looking at a Marshall Code? I've not had a chance to play one yet but in that Anderton shootout it sounded the best to me iirc.
End of thread
In flats and semi-detatched houses, the last thing your non-guitar playing neighbours will want to hear is someone playing guitar, especially when practising and playing scales and screwing things up.
If you wanted to go really cheap, the Vox Mini 3 as Reverend has here, the blackstar Fly 3 and amps of that ilk are pretty capable.
Theres also the Vox VT range ... surprised no-one's mentioned it. I had a VT20+ as my first ever amp, and the configuration was overkill/distraction - too many knobs, buttons, settings ... like a kid in a candy store. Spent too much time twiddling, and not enough playing. Very quickly traded in for a proper valve amp. Then subsequently purchased the Yamaha THR-10C.
There's also the thing that usually you can only have 2 or 3 effects at the same time, and on most modelling amps the order of those effect types is set: distortion/overdrive, modulation, delays. Meaning that whilst the VOX has 25 effects, don't think you get a chain of 25 effects. And it means you might have to make do with say, overdrive + chorus, but no delay. Or tremolo + reverb, but no distortion. The lack of distortion/overdrive effect can be mitigated by choosing an appropriate amp model. But here we are faffing around with the amp, and not playing the guitar.
Moral - get something that encourages you to play the guitar, not play with the amp.
The AV15 is also very good but is only single channel and an eight inch speaker.
Nil Satis Nisi Optimum
If you want something which is more intuitive to use but has fewer models and effects then the Roland Cube amps might also be worth taking a squiz at.