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In general, it's really pretty. It's inspiring. I don't really understand it - and part of me doesn't really want to either. There's other pedals that are far more utilitarian in their nature that need to do a specific thing and need to do that well. The Hologram pedals aren't that, to me - I'm sure far more talented and dedicated folks than me will disagree on this.
The way I use them, and the reason they've got a permanent spot on my board, is that they surprise me. It's like a Willy Wonka factory of sound - you put something in and something different will come out. Sometimes this is completely useless, sometimes it's weird (mostly it is weird), but every now and then it is delightfully wonderful and you end up picking/strumming the same note/chords for an hour just for the sheer therapeutic effect.
Personally, I enjoy the atmospheric effects that Swell, Synth, and Blur give - I have to admit that I'm still getting my head around how to use Glitch. I think the most commonly heard complaint of the "internet-consensus" out there is that once you've got one, it may get overused and everything you play may start to sound the same. My counter argument to this, is that this is probably true for most effects, although I can appreciate the Infinite Jets has a slightly more distinctive tonal signature than, say, a Tube Screamer. Through the different input modes though, being able to dial in Drive, and have a dedicated Dry knob to mix in your signal, you end up with a lot of control to discover new sounds and "season to taste", if you will.
So yeah. I'm afraid that my rambling may not be super useful to you, @Teetonetal, but that's all I got for now! As you've probably already discovered yourself, there's a boatload of review videos out there with good samples and coverage of what it can do - imho Knobs' review is probably the most comprehensive.
Gracefully bowing to people that have spent more deliberate time with it and have a slightly more conclusive viewpoint.
N.B: Did I mention it is really pretty?