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So is the power of music to found in the written word, or amongst the keys and the scales?
Think of Black by Pearl Jam, and you can feel what Eddie means when he sings and it's powerful. Imagine the same song droned out by any of today's current crop of blank karaoke singers and it would be drivel.
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youMy Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youMelody and rhythm come second IMHO. Get all right and you are onto a winner...
Nil Satis Nisi Optimum
Examples for the soundbytes/picture approach are Yes and Dio, where a few simple words take you to a place.
In contrast, the likes of Billy Squier and Rush have deep and meaningful lyrics, which make you think about things.
I tend to listen to a lot of instrumental music these days - and it's all I play in my band. It can free up what we play, too - resisting the verse/chorus/verse structure, we can play songs as long as we need to, in whatever way - and most of them are fairly long, building songs with occasional changes to the dynamics or music.
So yeah, if you like your stuff conventional - lyrics work better, and if they're good lyrics, they lift the song and everything works on a par with each other.
If not, I guess it's a moot point.
@Freebird if you're coming up with really good top melody lines and a decent chord sequence underneath, then maybe you should just focus on instrumentals and work to your strengths. If the melody is worthy, it will stand as a piece of music and not need a lyric. Most lyric melody lines seem to follow the chord changes (because the chord changes often come first for many of us) and are quite dull and restricted to an octave or less. If you don't need someone to sing the melody then you've got much more scope as a composer.
I agree with a previous comment. Yes lyrics (Siberian Khatru, The Revealing Science of God) are often meaningless but are words that sound good when they're sung using the powerful melody. The musical effect is great and the voice is just another instrument in the band. Richard Thompson lyrics can be very meaningful (Beeswing, Al Bowly's In Heaven) and tell a moving story - just him and an acoustic. Often heartbreaking.
Isn't music great!
Seriously: If you value it, take/fetch it yourself
https://www.coursera.org/learn/songwriting-lyrics
If he taught John Mayer, then he can't fail to help me!
FWIW, I can only write lyrics when I've tried to arrange my thoughts and decided what it is I want to say. Then, I try and find a way of saying it in a lyrical way. I uually fail.
To give one of my favourite Elvis Costello lines as an example...
(I'm guessing that) he wanted to make a comment about how we spend our lives scrabbling to make a living when we should be using our lives to enrich ourselves and others...
(he wrote)
Diving for dear life
When we could be diving for pearls
Which says it so well it usually makes me want to cry when I hear him or Robert Wyatt singing it. With the Falkands background to the song there's also the imagery of "diving" when so many people drowned
So, I'm happy to accept that you need a good idea for a song, but turning the good idea into a good lyric is a skilled craft.