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When I started playing 30 odd yrs ago,Boss were "thee" pedals to have. Having got back into effects recently after a long long absence I see pedal boards overflowing with virtually everything (most of which Id never heard of) except Boss. So are they considered a bit naff now? I have a few and I like them enough,as I dont really know any better,but Im curious. Plus they seem cheap compared to many. Am I missing out on a world of sounds that Boss wont give me?
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Many pros still rely on Boss pedals (and others for sure). The TU2/3 can be seen all the time.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
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Don't talk politics and don't throw stones. Your royal highnesses.
They do an excellent range in straightforward pedals at sensible prices. What they don't do is the weird/ambient/noisemaking thing that is very popular at the minute. Gnarly fuzzes, "out there" modulations, "what the actual hell is that" gliches, etc.
If I was a gigging, touring musician who wanted a solid set of sounds in a compact, bombproof form factor then I could quite happily rock an all Boss pedalboard (the boss form factor and switching has never been bettered IMO---the only way to improve them would be with top jacks but I don't think that would work). As is, I'm a guy who likes making weird noises in my study so I (mostly) use other things.
Increasingly people use PSUs so the battery access isn't as much of an issue. You also have an increase in the use of true bypass loopers and switching systems ( at an amateur and semi pro level as much as pro) so less use of actual pedal footswitches.
But, yes, you still see lots of them. There tends not to be as much love these days for their drives and people get those flavours elsewhere and there's an assumed bias against them as they aren't seen as much but they are industry standard stuff really.
That feels a little harsh, if somewhat accurate
I was considering selling the RV-6 having just picked up a CB Talisman but it's so versatile I'm keeping it for recording.
Boss are still a great option.
https://goo.gl/images/56Cufj
I know I keep repeating myself on this subject but I've gone mostly Boss including a number of Boss drives and I'm really happy with my set up than I've ever been. The boutique stuff I've owned has been sold and my bank balance is better for it. Also I'm less precious about my stuff now because I know that Boss stuff is built to last.
Remember, it's easier to criticise than create!
PS-3 - Mode 7 worth the entry fee alone
TU-3 - because why wouldn’t you?
CE-2 - if you want 80s flavoured chorus, can’t be beaten really. I’d like to try an Analogman at some point maybe, but we’re talking £200+ to compete, and there’s every chance I’d still prefer the Boss.
NS-2 - seems a far more intelligent surpressor than is available anywhere else; doesn’t just gate and chop your signal in a really unnatural way, and has proven of late to be a really good buffer - my board sounds noticeably better with it on.
considering the dilution of the market, I think you'd be surprised at how many spaces on boards are held by boss pedals.
Remember, those showcasing their shiney pedal boards on forums are more likely to be unicorn tone chasing hobbyists, which is still only a smaller demographic of the guitar playing community.
Pros use the 20 year old bomb proof pedals they've used for years. connected with them cheap patch cables from amazon.
I'm sure a Harley Riding, PRS playing Dentist with a £2000 boutique collection of pedals would laugh at me. [/massive_cliche_generalisation]
Fact is I'll never be good enough to play properly and I can have a mess about with different sounds for sensible money.
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Boss pedals give you the basic effect in the best pedal format yet designed and they they come in a range of exciting colours. It's a design classic and as such will never get old.