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On hols and away from guitars - amp will be back on this weekend!
Ta Jon
Collision rock band
Considering trying it last but currently have mine pre delay and mod pedals.
Typically, when you get a new amp (because this is effectively an amp in a box) or even a pedal, you get used to it at home, and in your rehearsal environment before taking it out to a gig.
This is no different. You would learn to use it at home, then take it out to a gig.
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
If you’re a tweeker I’d imagine this is heaven, so probably the dream. For me however from a practical point of view it just doesn’t work. Horses for courses and all that.
Def not for me as I love to find those pedals (and pedal makers) that just have it dialled in that seem to suit my rig / ear. That’s what makes a great pedal IMO. One of my favs for this reason is the Mad Professor Simble pre-driver which has no knobs at all!
Second for all its tweakability, all the demos I’ve heard have a strange papery sound to it. Kind of ultimate tweakability within its own sound.
I’d love to try one in person though and see what could be had from it.
for the same reason I’ve never bought a Strymon Big Sky or Timeline or a Mesa Boogie.
It looks so conplex and difficult that I know I’d get bored before I started.
The suggested settings in the menu make for great starting points.
Besides, as you become more familiar with it,
the options to adjust the tone will only be a help,not a hindrance
This is clearly not a plug-and-play pedal. You have to understand (1) what you're playing into, (2) what sound you're shooting for, (3) what do do if the results don't match your expectations. Also it's not much like a conventional overdrive pedal, more of (yes I'm going to say it) - an amp in a box!
(1) I bought this pedal principally for home use as a recording front-end, to use with speaker simulation, so the Re-amp EQ is normally set to PWR AMP. I have some analog DI / speaker sim pedals, but none of them did the RD justice, so I bought a used Two Notes Torpedo C.A.B. (which itself takes a little bit of familiarisation). I have also tried it into my studio amp, a Swart STR, on EQ1.
(2) It pays to think about the topology of the amp you're trying to emulate - rectifier, pre-amp, bright cap (if any), amount of negative feedback or presence, whether ghosting will be present. The examples in the manual are a good place to start.
(3) It is easy to let the top end run away, which can result in a 'spitty' sound as high-end transients get distorted. The BRI-CAP CUT and HI SHELF mini-pots come into their own here.
As should be obvious by now from all the YT vids, this pedal is capable of some exceptionally good sounds. I like the idea of making your own settings to create the amp sound you want, rather than just calling up a model or profile. I can now create a usable sound quite quickly, and then just enjoy playing it, which is completely different from my experience with earlier generations of digital modeller. I know that current plug-ins can be very good, but I prefer to get a good sound first, then record it, and of course there is no latency to deal with in the RD.
The RD may seem expensive, but you can't compare it with a regular drive pedal, not even a quality unit costing the thick end of £200. This is a whole load of amps in a box, of which you can pick two at any given time, plus it screams quality. To me it's well worth the asking price.