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“Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay
I like reliced guitars but tend not to go for them anymore because as a guitarist I noticed people playing reliced instruments but the wear never matched their playing pattern or where their strumming arm and pick hand were relative to the guitar so I knew they hadn't created that wear. Not that this really matters as most people in the audience at a gig wouldn't even know what guitar you were playing let alone know or even care what it looks like. It's just a personal observation of mine.
Now I’m approaching being an old cunt with two kids and a better paid job I’m not going to be playing my squier Tele or MiM Tele half pissed in a 3 chord indie band...
I’ve no interest in being in a gigging cover band and am not good enough to be in a serious band - so basically apart from the odd jam with mates I barely play.
I’m still interested in guitar though and can afford to buy and sell a few nice guitars if I want to - although I’d like to think I’m bored of that now and coming the other side with a sensible but nice selection of guitars.
This was my main gigging guitar for 30 years. It's too valuable to gig with (I have another Strat for that) but this was from my last gig with it 10 years ago:
Sitting at home in front of the tv or in a practice room isn't inspiring a lot of the time so we become bored and put blame on the guitar itself.
Where as, when playing a gig you don't think about how much better those £400 pickups sound at the local Dog and Duck. It's more of a plug and play situation (unless of course you rely on a lot of different tones) and at the end of the gig you find a new appreciation.
If you go back in time many of the iconic guitarists of the past would own one or maybe two guitars.
Nowadays bedroom players have whole collections!
I've just had a similar experience with trying to change my pedalboard. The distortion I've used for the last 5 years is back on the board. After trying to move to something more mainstream.
Then theres also the skint factor. In 2006 I got demoted at work and had a terrifying 15 months trying to survive after a £6k paycut. During that time I sold 3 guitars, a load of pedals & my spare Marshall head, just out of sheer survival rather than discontent.
At present all my guitars are keepers.....at present!
I can't believe that @spark240 hasn't responded to this thread.
If there's one house I know where guitars go to live out their twilight years, secure in the knowledge that they're there for the long haul, it's his place.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
(I know, get your tiny violins out)
But the sea air and humidity (plus many gigs in hot African club's) are aging my guitars rapidly.
Luckily I'm happy with the natural relic look
Here are the covers of my old burstbuckers when Matt at montys replaced my pups
And this falcon was brand new! Check the tarnishing on the bigsby and the patina.
The sea air has wreaked havoc with metalwork everywhere!
Unlike @HarrySeven .....when stuff generally comes in the front door, lounge , kitchen, back door , side alley....new owner ! ;-)
Oh,,,,,they might spend day in the shed first whilst he tinkers with it...
https://www.studiowear.co.uk/ -
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