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But first make sure the GT-5 power cable isn’t broken where it goes through that cable clamp - mine was. I simply fitted a figure-8 power socket there instead.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
As stated above the Boss ME pedals are great too. Dead easy to use and usually better than expected sound quality.
If you've never heard of the Line 6 Amplifi FX100 it might be worth a look. Bit more of a modeller but they can be picked up for bargain money as they seem to go under everyones radar.
It replaced my ME80 and is streets ahead for less money.
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youI also picked-up a little Zoom G2R for ~£50 which is pretty good for that kind of cash.
Anyone want to buy an ME-50?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I cut off the old GT5 power cable at the solder points and rejoined a newer cable but my soldering is shit so maybe ill have another look at it before it goes in the bin. It was given to me by the Rhythm guitarist (John Halliwell) out of Rock band "Ten" and its been gigged all over the world and ive manage to knacker it in my home office / studio. FFS!
The reason I like it is because firstly it's the simplest of all 'proper' multi-FX (not including the ones which are basically just three or four separate pedals in the same box) - no push-button menu/parameter editing, it's all done with physical knobs, one for each function; and secondly because it just sounds brilliant - better than both the older and newer ones I've tried, from any manufacturer. I don't know why, but it just does... I carefully A/B'd it against my analogue pedalboard, expecting it to be 'close but not quite', and it was actually *better*, on all but a couple of effects. So much so that I've now sold most of my analogue pedals.
It does have faults - it supposedly has an emulated output that you can go directly to the desk/PA from... but it sounds pretty poor unless you use extra speaker emulation. It has no amp modelling either, so you really do need to run it into the front end of a guitar amp anyway. It has no insert point for '4 cable method' connection using the amp's FX loop, and the 'Manual' mode is very primitive, basically just a separate memory, not manual control over the last-selected patch. As a result I've owned three of them - I sold the first two because of one or more of these problems, but in the end I've come back to it because it just sounds so good and is so easy to use.
That does sound like it isn't the cable, but if it's just completely dead it's probably something simple, like the power switch or the internal fuse.
It's also a very good-sounding unit, but in the end the editing just drove me mad - it's hard to edit quickly on the fly even when you know what you're doing.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Thanks for that. One thing that concerns me is most of my stuff now is played via the PC so I am not going through an AMP. I do have a PA but I hardly ever use it. My GT5 was going straight into the M Audio interface which is connected to the PC and I just have a pair of half decent PC Monitors. I mainly use it for recording. Its just that you mention the ME 50 is best played through an AMP.
I have been thinking about a GT-8 though - that's the same generation as the ME-50 and has at least a couple of the ME-50's best overdrive/distortion sounds on it, as well as knobs for some of the functions, but it does have amp modelling. Being an older unit you should be able to pick one up quite cheaply too
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
So if I have this right, if I am not using an AMP I need something with AMP modelling? Looks like that G3 would bypass the need for my M Audio interface but to avoid having two interfaces plugged into the PC I presume I could just plug the G3 straight into the M Audio? I record in Audacity and its all set up for the M Audio interface.
Its all so confusing, my brain hurts. All I want to do really is sit with a few beers, plug in and make some decent sounds and maybe record a few songs. You need a degree in bells and whistles (almost said knobs there) to understand all this lot!
I Spent a year or so figuring out how to use that GT5 and had just got somewhere near and it blew up. Bastud! Ive just tried soldering a new lead on it and could not find an internal fuse so looks like its dead for good.
Amp modelling is not an absolute requirement, since you can get software to do it in your recording set-up, but it does make things simpler if you're also planning to just run it through the monitors when you're not recording.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein