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As playing techniques developed - so did the instruments....
(formerly customkits)
7.5" radius boards are great ... you just need to man-up and raise the action a little, ideally strung with 12's.
I don’t do the bendy thing though.
also the profile of the neck itself is only one aspect of the overall feel - The fingerboard is the other 1/2 of the overall feel, so how easy it is to actually fret the note, bend and control the vibrato is an aspect that many refer with modern radius and larger frets
Not necessarily set in stone as Clapton still favours small frets - Hendrix never tweaked his guitars but used slinky strings - But SRV amongst others fitted big frets
Few points - firstly, remember that once an old neck has been refretted/played a lot, it flattens out anyway.
I have a 66 strat, that had been played until the original frets were like strips of foil, I've had it refretted since then - it honestly feels a lot more like 9.25 than 7 now.
Also, once you get used to it - it's just a feel thing, as others have said - you can bend fine on the tighter radius, just feels different and needs a higher action, it's not impossible.
Super low actions is something I associate as coming with the Charvel/Jackson/Kramer/Ibanez era - take a look at video clips of EVH and his guitars for example, his action is shockingly high to me.
I'm probably going to cause a few heads to explode by mentioning the new John Mayer PRS in this thread, but that has a 7.25" radius, and PRS are selling loads of them.
obviously all a matter of taste
I think on a blind fold test, many of us could not tell which is a 7.25 or 9.5" radius - but you can tell far more easily if either is fitted with small vintage or medium jumbo frets