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The guy in the video is certainly technically skilled but I have to say that two minutes in I'd heard enough and didn't feel encouraged to play the next vid. Horses for courses eh?
.......it's fairly obvious that he is a very experienced and capable Flamenco player working a lot of his well honed Flamenco skill on an electric guitar
......the playing is superbly skilled although the tune gets a bit boring
Nevertheless it goes to show the skill difference between a good rock player and a good Flamenco / classical player
ie HUGE difference.
Just thinking about youtube guitar types, Rick Graham is good at both. Someone like Dominic Miller can do both. Neither particularly my thing (not to disparage them, just not what I normally gravitate towards). I'd probably put my own abilities on both instruments as about even (not that I'd describe myself as actually really good on either), but I started on electric first, which I think is the easier route to go.
But yeah, people who are classical players primarily, first, tend to be dreadful on electric. A while ago I remember someone -- Kevin gallagher, maybe? -- showcasing their electric playing, in a neo-classical vein, and it was awful.
We get plenty of average or cynical buskers on the streets and on the tube ... but it's nice to see when someone gives value and appears to be having a good time doing it.
goldtop said: The average commuter will only hear a short snatch as they pass ... it's hardly like a gig ... so keeping it moving and keeping it flash will guarantee a lot of quids in his pot ... nobody except other guitarists are going to judge that deeply.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
All of that is of course, entirely subjective and opinions will always vary. For example, I hate opera and (most) classical music, but I can still appreciate it's technical brilliance and skill. This post was purely about the guys technical proficiency - love him or hate him, he's one very, very talented player - I do get there are a lot of notes in there, but there's also (at least for me) some wonderful composition and feel - as he's only playing to a backing track with no vocals, it's wholly understandable that he's filling in the 'vocal parts' with guitar.
But then again even world-famous players like Joe Bonamassa can generate a whole raft of emotive responses from guitar god to an ego-centric show-boat player who plays too many notes. In fact, the moment you mention any 'name player' like Clapton, Page, Townsend, Blackmore, Hendrix, the Edge, Holdsworth, Howe etc etc you'll always get a huge raft of opinions and debate - so a wide mix of views re this guy is no surprise either. I still wish I could play like that though!
To get such a good tone & sound-mix in the middle of the street is no mean feat either (although I'm sure there will be some here that didn't like that either).
From a gear perspective, I was just curious as to which amp he was using (one of the Fender 'red-knobs'? ) and how all his amps, speakers etc were all being powered?
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The widdling over 'Shine On' has all the subtlety of a dentist performing an extraction with a sledgehammer. He's clearly incredibly technically proficient, but I'm left totally unmoved by his playing and he looks like he feels the same. I can see how what he's doing is very suited to a busking situation where you want to grab people's attention for a few minutes though.
P.S I’ve heard enough of Dire Straits and bloody Sultanas of Swing in this lifetime, but nothing approaches the inherent shitness of Nickleback!