It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Little and often is far more effective than an hour on a weekend and nothing for another week.
Play it as slow as you need to get the note correct. Speed is irrelevant for learning to read.
Get a book with sight reading test examples - then you can jump around in Grade 1 and that will prevent you from playing from memory.
I went down this path a couple of years ago when I joined a jazz / swing band. It's a tough start but after a month or 2 it really does get easier IF you are doing a little every day.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
“Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay
It's not something I've ever been particularly interested and I would just try use the bare minimum I need to get by for a gig... basically figure out what key it's in and try look out for any weird stops or whatever. I'm terrible a sight reading proper musical notation and have a gig where it's all notated. Luckily it's a covers gig so I'm just learning the tracks as per the record and just use the charts to figure out if they're in the same key and have the same structure.
So! Are there any recommended books, videos, websites you can recommend so I can improve on my sight reading? Would it help if I worked on it using a piano before guitar?
https://shop.carolkaye.com/product/guitar-sightreading-studies-by-carol-kaye/
Even painfully slow causes wrong notes to be played under pressure. Far better to get the note right every time.
Painfully slow also prevents 2 easy notes being played together more quickly if the player is confident.
I'm with Jeff Berlin on this one... at least when learning the notes. Later on I prefer a drummer
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
get the rhythm of the bar established first in your mind before working out what all of the individual note tones are.
reason this helps is that many/most fingerings will fit to a conventional chord that you already know, so once you do work out some notes and you know the key signature (because it is marked in the stave) there will only by 5 or 6 chords needed for that key, so that will almost always define where your fingers will end up
so if you religiously replicate the written rhythm of the notes , then the note tones should come more easily and you will have a piece of music.
what will eventually happen is that you will automatically “recognise” what a C major, F, Bb etc chord looks like on the stave, so at that point you won’t need to work out what the individual notes are.
chords work quite nicely on a stave. Because a chord is 1 3 5 , that means that on a stave those 3 notes will almost always be on 3 consecutive lines or 3 consecutive spaces. So if you see 2, 3 or more notes that are on adjacent lines, you know you’ve got a chord. And because you already know most chords, and you already know the key, you will easily know how to finger it
and then what you find is that much melody music is able to be played within the range of your fingers while in a chord position.
so, chunk that down to a method to approach a piece of music :
1. Read the Key from the stave
2. Work out what the 6 main chords are in that key, and write them down
3. Remind yourself what the fingering of those chords are (and possibly at the next position)
4. Work through a group of bars, say 8, working out just the chords that are in place in the piece
5. Play the chord progression over and over a few times to get used to the changes
6. Then work on the rhythm of each bar - the crotchets and quavers etc
7. Then look at the key melodic notes and try to fit them around the chords and rhythm that you’ve already worked out
Now I’ve type it, it sounds more complex than I intended it to be, but
I find find I get to a musical reproduction much quicker with this approach, than just working out individual notes from the start
good luck; great fun
Feedback
You can ask it to generate what types of keys/rhythms and the range it plays in then randomly generates new songs for you to read.
Feedback
Faking sight reading is asking to be found out. All that the Grade exam assessor has to do is say, "well, done. Now, try this other manuscript that you have not seen before."
For the record, my manuscript/TAB reading is the equivalent of two-fingered typing versus proper touch typing. I have no qualms about admitting that I cannot sight read.
There is something about picking it up and putting it down that cements things in the brain, where doing gruelling reading sessions is counter productive.
I was doing 5-10 mins 3 times a day when at music school and it helped.
I'm still not the greatest sight reader on guitar, better on piano and drums.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
its great! Very good practice.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Seriously: If you value it, take/fetch it yourself