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Comments
Harder tremolo/ killswitch: flick between pups where one is turned fully down.
You can something approaching a flange/phase type sound by doing a hammer on and moving a finger or pick down the string. Best with high gai I've found.
Nice idea for a thread BTW.
I try all this on acoustic guitar with varying degrees of success!
I can just about emulate tape echo on my acoustic; you need a deft touch to make the volume tail off.
I make an odd modulated noise by tremolo picking on the G string and moving my left hand up and down just resting on the string (as if doing natural harmonics). Also varying the picking position. Audience trembles with awe.
Wah continues to elude me.
Usually plugged into the PA so I need to try some of these volume control techniques, never thought of doing that! Wonder if I can do wah by twiddling me mid slider? Hmmmmmmm..........
The other reggae thing is if you do a really staccato double chop rivvum it can get to the point where it sounds like there is maybe (auto) wah on there. Actually I don't know if staccato is the right word but that very quick down-up on a small ( like, 3 notes, maan) chord and then the chord quickly cut off.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Bandcamp
Spotify, Apple et al
wah - get someone to open an close the box while you play
reverb - put it in a metal bucket.
leslie - get someone to waft it with a dan dare annual while you're playing (Dan Dare ... not Dandy - that annual won't cut it)
Band Stuff: https://navigationofficial.bandcamp.com/album/silhouette-ep
;;)