...I only went in to check out the new Colchester shop and buy a couple of straps and a straplock, got them but "accidentally" came out with a Squier VM Jazzmaster as well.
My family have a history of "retail accidents"[1] at this shop and now they make it easier by opening another shop. Something Must Be Done about this!
Oh yeah, about the Squier.... Crazy good for the money, fun to play, sounds pretty good, rythm circuit surprisingly useful, trem surprisingly stable. Only trouble is that I'm now starting to wonder if I should have got a Jag for the full on and-now-for-something-completely-different offset with weird electrics experience, I have a horrible feeling that I may end up with one of each :-)
[1] Score so far stands at two PRS SE Singlecuts, one PRS-not-SE SC245, one Gibson SG, one Epiphone Dot, one Swart AST Pro, one Fender Frontman DSP, one set of BK "Slow Hand" pickups, the aforementioned Squier, a few pedals, and any number of straps, leads, and other such sundries...
Don't ask me, I just play the damned thing...
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I've followed the story pretty closely but that's new on me. Ed Yoon left Suhr, but he didn't go to Charvel, and he's not a luthier anyway.
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The reason Guthrie got into Suhr was he was window shopping in Tone Merchants played a Suhr and loved it, it was Ed's custom guitar he'd waited a long time to have made, a week or so later he phoned Guthrie up and gave him the guitar..
I don't think Ed is with Charvel but it being part of Fender probably means Ed knows someone there.
I thought from your ocomment Guthrie had a preferred builder or something.. speculation at the time was around the baked maple process on Suhrs allegedly not being perfected and necks going dead... might be something totally different though