Hi guys,
I'm coming to terms with the fact that I can't afford another Suhr silent backplate for my 2nd strat and was wondering how people
deal with the hum?
I'm used to very little hum from my silenced strat, specially at home where I can hear everything, and my other strat seems noisy as f__k..
However, lots of players rely on SCs, with many pros using vintage ones..
I'm know that at gigging volumes with the whole band and while I play I won't notice anything but I'm still troubled.
Guess it's one of these things which are always there to annoy if one decides to look for them..
Is it just this, that I won't notice it in a practical scenario, or is there a secret?
tbh last time I was gigging with a strat I didn't really bother nor do I remember it being an issue but there were very few things I bothered about regarding my tone those days..
Please share if you got any info/ experience..
Thanks,
Comments
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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Turn up and wail ... the hum is part of a Strat's character. Shield the compartment if you like ... but don't get hung up about it.
That hum tells me my gear's ready to rock ... silent is worrying
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
I preferred Fender SCN pickups to Kinmans, half the price too
modern low energy bulbs can be a big problem, especially those in the next floor down sometimes, sitting far enough back from the amp
btw the self adhesive aluminium tape used between pieces of Kingspan is a really easy way to screen cavities. Going up the sides up the pickup routes can make a difference too
Have you tried a noise gate btw?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It is true that at full set up I don't really notice it. My problem is when I practice parts at home; you may rightfully say that strats are meant to be hit hard live but I ve been more than happy with the suhr plate and any difference annoys me.. it's not a big deal anyway tbh.. I was just wondering whether there's a secret or smth as many guys play vintage ones and record with them too.
re SCNs, shielding etc, the only solution i liked has been the back plate
I generally don't like "versatile" Gear; a bit vintage but noiseless and things like that. if hum comes with "that" sound then I ll just live with it. and if the Gigs pay out I might consider fitting another plate.
Thanks for all your input guys!
As has been said move away from your amp for a start.
Maybe a noise gate of some descriptio would help too.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
'Chris Rea once said that the auditorium in the Kremlin is the best place in the world to play a Strat. Not a single hum, since the whole Kremlin IS a Faraday cage...'
wasn't really what I was looking for when I googled Mr Rea on this subject but interesting nonetheless. It may be that, from what @ICBM put, he was completely wrong about this and the Kremlin (did he really gig in the Kremlin?)was nice and quiet for other reasons.