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I've been gassing for a Randy Rhoads 74/75 custom clone that I want (To try) to make.......
Originally I thought about getting another neck or fretboard for my Maison Les Paul but it's too far gone with a bad neck break and when it went, partly because it broke at random whilst still safely in the stand, I kind of beat it up slightly, so it's not worth the effort to refinish again. It was meant to be though as that was twenty five years ago and I needed to move on and get a decent guitar.
So I need to have something with (Or add) back binding and also want something (Or stick a piece on) a volute like the 75 (Previously I was ignorant to the fact 70's three piece necked Les Pauls had these, apologies). Also need block inlays, I don't fancy inlay work and fancy refretting it and redoing the fretboard binding with nibs. (I reckon I could just about flush the fret ends with a thin cutting disc on my grinder and finish with a file. I don't mind getting the router and my DIY table out either or making an overhead jig and levelling up for adding the back body binding in layers, that is if a bevelled non bound guitar back would have enough meat to accept it..
Also want to spray it in aged cream Nitro and stick it in the freezer to crack the finish, so whatever I get I will be refinishing it I guess.
So given all this, I don't want to lash out loads of cash for something instantly playable, as it's a waste.
But I would like an ebony board also.
So I guess my options are:
Custom Epiphone - Korean or Chinese, but they don't have the volute, don't mind the scarf joint though.
A really, really nice Greco RR-55 or 65 on the bay at the moment, but it has a poly finish and is more cash, no can't mess with it.
Tanglewood Les Paul 58 LPC1 but I think the horn is slightly off
A Chinese fake Les Paul, maybe speced unpainted with a volute - same price as a used epiphone but who knows.
Wait for a nice Matsumoku Aria Pro II Custom to come along, which is spot on to the '70's Gibson sandwich construction although, like the Greco, that will also cost and again I feel like I will be violating it of I were to mess with it, as it's something in it's own right, I just don't know if I could even bring myself to do a paint job on that.
A Les Paul DIY 'Kit' - Any good ones about? All seem fairly shonky.
Anything would do really, so long as the body is mahogany and it has custom block inlays and a set neck. Any ideas for what to look out for ? I'm not really up to speed with all the modern Les Paul copies.
I'm really tempted to spec out an unpainted RR '75 copy from Chinaland given the money, don't mind a maple neck, although I would like a solid maple cap on the body, rather than basswood or something odd that they use.
I do a bit of guitar building and bodgery, but it stops at making strat or bolt on bodies, no way I'm getting into making a Les Paul contour. Wonder what advice anyone can other?
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Comments
With even some of the non-Japanese Tokai's having ply bodies and the Chinese one being of all woods.
I like maple as it's stronger. But I am actually leaning towards the epiphone customs, at least the bodies and necks are mahogany and they have the back binding in place. Chinese ones are too much of a crapshoot. I would like a stronger neck, but the epiphones have all passed quality control and are the right shape at least. The scarf neck joints don't bother me, nor solid mahogany necks actually. Yeah, maybe I should go epiphone.and refinish it. Only things that worries me is by sanding the neck to add a home made volute piece (Yeah this is madness) I will weaken it even more.
There are loads of Epiphones about though, just waiting for one to come along that is beat up enough.
4 pieces and a veneer isn't bad actually, is the wood mahogany like? I've been considering fixing my Maison with a new board, as it has a mahogany neck and a solid maple cap, albeit 4 pieces, but the body is alder and another 4 pieces at that.
No not bad at all 4 pieces of mahogany like stuff, so long as it is mahogany like I guess.
http://www.ebay.co.uk/itm/2000-EPIPHONE-JAPAN-LES-PAUL-CUSTOM-Model-LPC-80-LONG-NECK-TENON-Black-Duncan-/281230421125?pt=Guitar&hash=item417aa3ac85
The LPC90 has an ebony board, BUT only came in Ebony, not Alpine White. The LPC80 does come in white, but only a rosewood board.
As they are the Japanese ones, they have the proper headstock shape, and are mahogany. I have a LPC90 and it's a heavy beast, and bloody well made. The Jap Epis are a different kettle of fish. IF it said 'Orville' or 'Epiphone by Gibson' it'd be a lot more expensive - people just have an irrational dislike for the name.
Sounds like the Greco RR-55 is around the same price point then......
As are the Aria's as are the Orville's, I guess you get what you pay for.