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x35543
x68886
x 11 10 11 11 11
x 10 9 10 10 10
Something like that. Might have got my numbers wrong (thanks Jalapeno!), and the last two chords might be a lower voicing ....
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Those last 2 fingerings are F9 & E9
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Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Ah I see your editing skjillz !
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x 3 5 5 4 3
x 6 8 8 8 6
x x 8 8 7 x
x x 7 7 6 x
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Second chord at 48 secs is Bb with an added G .... like
XX 8 7 8 6
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
setzer is the man...so cool
Yeah its great, a good mashup. However I clicked it off at 3:06, did I miss anything important or interesting?
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My wild guess at the voicings is:
Cm: 8 10 10 8 8 x
Bb6: 6 x 8 7 8 x
Ab7: x 6 4 5 4 x
G7: x 5 3 4 3 x
x 3 5 5 4 3 (c minor)
x 6 8 7 8 x (Eb maj7)
x x 4 3 4 x (Ab7 add 9 (no 3, no tonic!))
x x 3 2 3 x (G7 add 9 (no 3, no tonic!))
If you're careful you can get the hand position for the 2nd chord, then just move it down 4 frets for the 3rd chord (being careful not to play the x notes) - you can hear him sliding down for this - then slide one more fret downwards for the 4th chord. It's really clever and simple - the same shape but in different relative positions to the root, gives rise to either a maj7, or a 7 add 9.
IMO.
It does sound a tad empty without the bass; to fill out the last two chords, you could do
4 3 4 3 4 x
3 2 3 2 3 x
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Yes, I think that's the closest, but I think I'd still go for a Bb6 instead of an Ebmaj7. Same chord but just a Bb in the bass instead of an Eb.
Also, (just personal taste) but your suggestions for the final two chords might sound better without the 3rds, so they would be:
4 x 4 3 4 x
3 x 3 2 3 x
The thirds make them sound a bit muddy.
Based on looking at the clip it looks he's playing the Cm higher up with the root on the 6th string. Same notes, just a different position on the neck.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
However I think he's basically playing this shape but he doesn't play straight as a chord, the thumb acts as a pedal tone so it's something like this
Slide into a Cm ....this voicing
8 10 10 8 8 8
The a Bb with added 6
6 x 8 7 8 6
Then he uses his thumb to pedal tone a major 3rd bass note of C in harmony to the bass's Ab then a major third B to the bass's G ... while playing the triads Viz suggested so it's more like
x 3 4 3 4 x
x 2 3 2 3 x
But on the above you pedal tone so Bass note \ Triad \ Bass note \ Triad like kick \ snare etc
To your chords and Stratman's, it's all much of a muchness, but I had a go at all the versions of 43434x, 4x434x and x3434x (thumb over), and while they're all possible I just felt that he's playing a very light orchestration, ie xx434x; I can hear 3 notes at most and even one of them might even be my imagination - plus it's just so much simpler to snap to, without any loss in effect. So if it was me playing it I'd just stick to xx434x - I fluff all the other chords up at that speed!
The Eb major (or Bb6 ) - again if it were me I'd just do xx878x, or maximum x6878x so I just had one shape to deal with, but I'm lazy.
Good chords banter
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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nice shoes!