What do I learn now.

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Hi, I've been playing for a while now and while I'm not very good at it, I've been making slow and steady progress. I want to learn more but I'm not sure where to go from here. 

I basically know all of the chords, barre chords and stuff like that but would like to improve my lead playing. 

Currently I can play intermediate riffs and some simple solos. Examples of what I can play are:

The Raconteurs - The Switch and The Spur. 
The White Stripes - Offend In Every Way
The Intro Solo of CSN - Long Time Gone
The Solo in The White Stripes - I'm Slowly Turning Into You. 

So what do I learn next, any tips on how to improve? 
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Comments

  • octatonicoctatonic Frets: 33797
    Can you harmonise the major scale?
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  • octatonic said:
    Can you harmonise the major scale?

    To give you an idea of how far I've got, I'm not really sure what that means. I know the pentatonic minor scale and can play it up and down,  but apart from that I don't know anything else about scales. 
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  • octatonicoctatonic Frets: 33797
    That is a pretty common place to be.
    Learning to harmonise the major scale is your next task.
    I can start you off when I'm not on iPad, I'll check in tomorrow and write that post.
    If I forget PM me, I've got a slightly hectic day tomorrow.
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  • octatonic said:
    That is a pretty common place to be.
    Learning to harmonise the major scale is your next task.
    I can start you off when I'm not on iPad, I'll check in tomorrow and write that post.
    If I forget PM me, I've got a slightly hectic day tomorrow.

    OK thanks, I'll be pretty busy tomorrow so won't get much chance to play, there's no need to rush. 
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  • octatonicoctatonic Frets: 33797
    This is mostly a thought exercise.
    You do place it on the guitar but only after you have thought your way through it.

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  • vizviz Frets: 10694
    octatonic said:
    Can you harmonise the major scale?
    Wiz question
    Roland said: Scales are primarily a tool for categorising knowledge, not a rule for what can or cannot be played.
    Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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  • GrunfeldGrunfeld Frets: 4038


    I basically know all of the chords...
    You are Guitar George, and ICM£5!

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  • vizviz Frets: 10694
    octatonic said:
    That is a pretty common place to be.
    Learning to harmonise the major scale is your next task.
    I can start you off when I'm not on iPad, I'll check in tomorrow and write that post.
    If I forget PM me, I've got a slightly hectic day tomorrow.
    Cmon @octatonic let's 'ave it :)
    Roland said: Scales are primarily a tool for categorising knowledge, not a rule for what can or cannot be played.
    Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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  • octatonicoctatonic Frets: 33797
    edited September 2016
    Sorry I've been busy @viz :)

    Ok, @olafgarten this is what you want to do- harmonise the C major scale, which is C D E F G A B C

    Chords, as we know, are made up of stacked 3rds (please no-one start talking quartal harmony).

    So a C Major triad is C E G.
    So you are starting at C and skipping ever other note.
    Now extend that one more interval.

    C E G B
    This is a C Major 7th chord, because it is a C Maj triad with a major 7th interval.
    There are 3 other types of 7th chord.
    The minor 7th, the dominant 7th and the minor 7th flat 5 (also called the half diminished).

    If you harmonise each note of the C major scale in this fashion you get the following:

    C E G B = C major 7
    D F A C = D min 7
    E G B D = E min 7
    F A C E = F major 7
    G B D F = G dominant 7 = G7
    A C E G = A minor 7th
    B D F A = B half diminished

    There is another way of writing these chords in relation to the tonic C which is:

    C maj 7 = I
    D min 7 = ii
    E min 7 = iii
    F maj 7 = IV
    G7 = V
    A min 7 = vi
    B 1/2 dim = vii

    Now take this through the cycle of 5ths.
    There is a good few months work here.
    If you don't know what the cycle of 5ths is then say- and we can have a conversation about that.

    So any time you see a maj7 chord you will know that in most situations that it will only be a I or a IV or a particular key.
    When you see a minor 7th chord you know that it will probably only be the ii, iii or vi of a particular key. 
    When you see a Dominant 7th- well, the Dominant 7th gets tricky because of something called secondary dominants- but I'm not going to go into that now.
    Let's ignore the 1/2 diminished right now.

    I'm going to stop now and let you pause for breath.
    If there is anything above that is unclear then just say.
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  • vizviz Frets: 10694
    Nice
    Roland said: Scales are primarily a tool for categorising knowledge, not a rule for what can or cannot be played.
    Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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