It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
OM Acoustic Build (Mark Bailey Course) The finished guitar photos are on Page 6.
In Westside I initially compared a D-18 with a D-28 - at first I like both similarly, but differently. Then I also tried a D-35. Then a HD-28V. Then a M-something. (M-36 maybe? Apparently the M- size is sort of a 0000 i.e. a bit bigger again than a 000) For quite a while I wasn't hearing terribly much to make one of the different Dreads "better than" (rather than different to) the others - but at some point they started to seem more distinctive and my preference became the D-18, followed by the HD-28V and M-36 each equally for different reasons.
But the quick response and lighter construction of the D-18 I ended up really liking.
The problem was though it was really hard to pick up much detail - the metal-tastic guitar wailing from the other floor was really loud, and the street noise of trucks and buses going by was just as bad. I didn't realise just how bad this was until I went in to Macaris little quiet room and everything sounded a gajillion times better, just because I could hear it properly.
In Macari's I tried:
a Furch D-20 cutaway - sounded nice.
A J-45 (sounded bloody lovely - but by this point I was realising that I really hadn't been hearing the Martins anywhere nearly as clearly, so the comparison was nigh on impossible)
A couple of older/used things that I need to look at my phone pics of to remember.
Also, as was said above Wunjo's acoustic store reeks of mold. If it was a house viewing I'd turn around and leave. Anything that's been in there long is going to stink when you get it home surely :-/
I look forward to trying more.
I won’t get into this vs that, guitars are a very personal thing.
Did a lot of looking and trying out makes / styles / woods / and found myself being being ‘channel’ towards the Eastman range and finally (for what I do - solo fingerpicking instrumental tunes) getting a little Mahogany OM which they call it - actually it’s more an 000 (25 inch scale).
I got it ex shop demo for just over 500.
This guitar impresses most who hear it, with the right choice of strings folks have said “theres not 2 - 3 k difference between the sound of it and Martins, Collings, or Bourgeois.
I’d not compare it that way, it is a 500 quid guitar but it does everything I want it to including playing live into mics - need to get a pickup installed.
Prices can vary and have gone up since I bought (2013) and shops like guitar guitar jumping on the bandwagon fairly recently but charging top buck !!.
Other brands that get good reports as well are Blueridge.-
heres the forums for both -
http://theunofficialblueridgeguitarforum18213.yuku.com/directory#.V--tbdwsF3k
heres some examples of whats on offer
good luck
http://www.sheehans.com/product/eastman-e20ss-acoustic-guitar/e20ss?TRE00003
http://www.sheehans.com/product/eastman-e20d-acoustic-guitar/e20d?TRE00003
http://www.sheehans.com/product/eastman-e10om-acoustic-guitar/e10om?TRE00003
http://www.ivormairants.co.uk/guitar-and-bass/brands/eastman/eastman-e10-ss-slope-shoulder-adirondack-top.html?___SID=U
http://www.ivormairants.co.uk/guitar-and-bass/brands/eastman/eastman-ac-gace1-grand-auditorium-electro-acoustic.html?___SID=U
There's a Youtube channel 'Stageshop' that has a load of demos of these - some lovely sounding stuff
Stageshop at least just plays the guitars so u can hear 'em - without the cringe sales pitch.
There are lots of fantastic demos around the net - I do keep thinking my thoughts are solidifying only to have them challenged again :-)
Actually something that has been rolling around my head that you guys might be able to help me straighten out:
Even I (!) can feel and hear the difference when you have in your hands 'a good strummer' and 'a good fingerpicker' - but then there seems to be a level of balanced-picker beyond that, the non-Americana inspired stuff (e.g. the Brooks and some of the Furchs as examples) - these things sound especially sweet in the hands of a picker, be they folky or modern, but these seems to be the ones that *really* don't like to be strummed.
Am I imagining this or is it a thing?
Awkwardly I'm finding it hard to shake the conclusion that I do want something that does a good job of both.
I don't want it to sound like a strong stretched between 2 nails when it is fingered, and I don't want it to not respond if the low strings get a wallop with a plectrum.
I think I'm reconciled to a compromise. The quest seems to now be about the least worst compromise :-)
Price range is hard to predict - it will depend how long it takes me to find a job, and whether it's a good job haha. I'd love to think I could afford a good used example of the kinds of things I was musing about some posts ago - which seems to be comfortably above a grand, but not in to the 2k+ that they are new.
I'm hoping to get the car fixed this week so that I can sneak out in the day and try things (although not sure what the good places close to Swindon to try lots in one place might be. Any thoughts welcomed.
Keep the opinions, experiences and thoughts coming - feel free to post any demos you particularly like too.
Cheers
T
"really solid responsiveness" - that doesn't make sense - well, ok maybe too Americans.
I think what hes trying to say - it's an SJ so it's a bit louder - but that kinda uncool observation wouldn't go with the trending, then (2014) trending Yosemite Sam beard..
Martin's 'Ninja model'- oh enough of this stupidity -
Tim, you need a bigish Eastman - they're in u'r price range - even better S/H
here's what Yos Sam's doin now -
https://tonypolecastro.com/
A couple of days of demo-watching are taking their toll - I need to go play some stuff again.