It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Having tried the small DV Mark Little Jazz out today, I think there is definitely a place for quality non digital solid state amps. Different cleans to a valve amp but equally nice.
Trouble with solid state amps are they are usually built as cheap as possible. Put a well designed quality solid state amp in a nice cab with a nice speaker and you end up with a nice amp.
I have maybe 10 years left of gigging if I'm very lucky, and when I think back to some of the solid state stuff I owned a few short years ago, the idea of even finding a circuit diagram, let alone parts is just a joke.
I do fancy trying an Orange 120 tranny head though, I like the sound of them and want to know if the dynamic feel is usable for me.
When I was a regular gigger in a hard rock band my amp for the shows was my mk1 Peavey 5150 head through a 4x12 and what a sound it produced, I kept it in the bedroom and the wife and kids despised it , the fact I could only play it below 1 was the final annoyance.
My main amp for many years was a hybrid (MusicMan) which I thought sounded better than any valve amp I've played (and back in the day I owned 3 or 4 Marshall amps that I suspect would be very sought after, pricey bits of vintage gear now). Maybe that meant I avoided the valve amp obsession.
Now I've got a ropy back and light weight is essential. My main amp is a Quilter. There are some lightweight valve amp options but the likes of a Princeton is not loud enough and a Deluxe Reverb is still a little too heavy. I looked at options like a Victory V40 head and lightweight cab, but in demos I wasn't convinced they sounded as good as the Quilter, which allows me to have a 100 watt combo weighing 21lbs.
But I guess it's a case of temperament as well - where you are on the spectrum of how much gear matters and is vintage better. I think the importance of gear is much exaggerated by many guitarists, at least as far as sound goes (playability is a different matter). And I fundamentally don't really buy the vintage is better thing.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
There were some good reviews of the Award Session Blues Baby last year, has anyone tried one?
For clean sounds I see no issue with ss amps but I hear guys who say they want a really clean valve amp and the first thing they do is put a boost in front of it so it's not clean any more. If you do that with a ss amp it usually sounds shite. So for real clean ss is fine.
We use ss in a lot of pedals so why not amps?
Years ago I gigged with a Peavey MX which was a hybrid amp. Boy did that amp have some punch. Like night and day compared to the Bandit that preceded it.
I'm tempted by the recent Roland JC40 but it is pretty pricey
If I were gigging now I'd be seriously looking into the micro amp scene, failing that - looking for a Twin....and someone to lift it for me, preferably the drummer
For me solid state amps are a solution looking for a problem. Nowadays little valve amps are cheap, reliable, easier to fix if they go wrong and nicer sounding than solid state amps to my ears. I have tried other stuff in the 30 years I've been doing this ......... Sessionette 75, Marshall SS pre amp into hi fi amp, Tech 21 Trademark 60, Vox Tonelab SE into Marshall SS power amp .....Vox AD120VT .... I've always come back to valves ... For me there's no advantage to using something solidstate I'm not sure there is for most people assuming the amps got a master volume.
In my own experiments I decided if one half of the amp needs to be SS and one half valve then the best results come from having a valve power section rather than a valve pre amp. Unfortunately that's the expensive part so I can see why amp makers are always trying to do it the other way round
I'd agree that SS amps have too often been viewed/sold as 'bedroom' amps and built down to a price. However, now that there are a handful of decent quality SS amps I suspect that other manufacturers will jump on that bandwagon.
Admittedly, most of my playing is in the bedroom or at local jam nights, with only the occasional gig, but with SS amps nothing has ever broken, my back isn't suffering, and the bank balance isn't stretched too much.
I also just prefer the tone of most solid-state amps to most small valve amps. Not necessarily the overdrive sound, but I usually find it easier to fix that than the over-compressed mid of so many small valve amps.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I also picked up a carlsbro cobra head too, it is not a "cobra 90" model. It is basically the same but smaller in size and has no reverb. Cant even find a pic of one the same as mine on google, never mind the spec.
Any info appreciated.