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One of the true masters of Strattery.
I admit to playing Lenny far too much in guitar shops too...my bad
One of my top five recorded solos of all time and proof that High Gain doesn't have to mean low definition, plus the choice of frequencies is perfect within that mix... and isn't that more important than the sound on its own?
He is #1 in my book
Good call.
around 1.47 and in particular around 2.10
Reminds me of the old story about Chet Atkins- he'd just finished recording a song when someone in the studio remarked how good his guitar sounded. Chet put the guitar down on a stand and asked "how does it sound now?"
IMO tone is only as good as the playing that goes with it. Unspectacular or just flat out bad tones can be surprisingly palatable when whoever's playing is tearing shit up. Likewise, give a shit player a Dumble and a Private Stock PRS and the best you can hope for is that he might sound marginally less shit.
Someone will be along in a minute to say that in their opinion Dumbles and Private Stock PRS guitars always sound shit, and there's the problem with any of this- one man's trash is another's treasure and beauty is in the ear of the be-hearer and all that, innit?
Don't talk politics and don't throw stones. Your royal highnesses.
My band, Red For Dissent
Good choices - but Irish Tour also contains a STUNNING Tattoo'd Lady, the solo of that is what knocked me for six when I was a young un (and A Million Miles Away, the intro and how he cranks the volume for the lead when the band kicks in... and the extended stuff in Walk on Hot Coals). I SO wish I could hear that album "for the first time" again - I was 17 and my jaw just hit the floor... I'd seen him live a week or two earlier, but he was "metal-Rory" by then - fabulous, but it didn't set me up for what was on Irish Tour 74 when I bought it.
And Jimi - Stone Free, wowsers. And the sound on the full Voodoo Chile jam on Electric Ladyland, that stunned me when I first heard it.
What really turned me on to strats was Ritchie Blackmore on Made In Japan. Highway Star, that particular performance, gosh...
Time to put my new Les Paul down and get some strat CDs out!!
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I have to admit the guy in the OP doesn't move me very far. For me, it's his rhythm section that makes him so good on that jam. As a guitarist, you can only be as good as the guys/gals backing you, and those guys are pretty darn fine. His tone, though cute, is not my fave.
I was WELL IMPRESSED with the clip of this Guthrie Govan chap - I have to confess that I've never knowingly heard him, either. The tone he's using doesn't really grab me as a tone, but he makes it talk, so it's fine by me... Lovely stuff.
(But I did fall asleep watching the vid of David Gilmour playing Comfortably Numb at the RAH... EDIT - actually, that might have been in another thread... oops!)
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
Yes, there is a fair amount of jerking off BUT this is an improvised jam - TONS of great stuff in there that could be used in actual songs, effectively and soulfully
But that's cool, there's some great song mentions in this thread