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You sir, are a mixer!!
Here I use 100w JMP 2203 and had it on 2 when playing the Forum.
You are technically incorrect there sir. Power goes as to the SQUARE of the voltage so we are 4.76 times louder!
Dave.
Usually once it gets past the point about separate hot and cold taps and saying sorry to people who have bumped into us, I don't recognise many of the things foreign people say we do.
And therein is a lesson.
Wise Shitashi says:
It's easy to make a judgement about an entire nation based on your very small sample size, and a very limited subset of experiences.
It's very easy to be wrong about it.
Bandcamp
Spotify, Apple et al
I almost died.
I think they heard me in Scotland.
Seriously though I did some recording with a 50w amp of mine, cab was in a separate room, Nick playing the guitar started playing eruption, with the amp proper dimed, at the end on the drone note the jack popped out the back of the speaker cab due to the amount of vibration, it happened again later on too. I don't think there are many places you could get away with doing that on this planet.... and if you do put some duct tape on your speaker cables to hold them in
I am SOOOOO tempted to start a thread on TGP about this.
*An Official Foo-Approved guitarist since Sept 2023.
However, you won't get invited back and unless you are playing Wembley Stadium, I can safely say YOU ARE TOO LOUD (sorry for shouting but they must be chuffing deaf).
I wasnt intentionally starting this thread as "slate the Americans" far from it. It was due to the fact I went to band practice last night, put my amp on 3 and though "shit, that's loud". I got home and googled JCM 800 2204 volume and found quite a few references to "it's only 50 watts just turn it up, it's not that loud".
On this site I cant remember many folk saying the same thing. We often discuss how to attenuate because the volume is too much.
There's a few forums that seem to be mostly populated by a certain kind of macho guy who will say stuff like that.
On the other hand, my overwhelming impression from TGP is that literally everyone plays in church P&W bands and either play in dedicated venues with amp closets off-stage or play stereo AC30s through Strymon pedals with the master volumes set to 0.5 while a soundman berates them for not giving him enough control to do god's work.
Bandcamp
Spotify, Apple et al
I'd quite happily add some very wrong maths on the thread to prove your point.
in a similar play to the arguments on the facebook posts "only genius' will be able to work this out" basic algebra things.
They're probably fantastic venues to play as they're designed to make you sound good, rather than to make the huge pipe organ sound even bigger and more oppressive (or is that better? Idk)
Although I don't think all Americans do dime them. It was in the states that the 5 watt craze began, and the great boutique overdrive boom (it makes my amp sound like it's on ten, does this timmy!). So if people reckon they max out the volume on a superlead, they're either lying or they have an attenuator. Probably.
*aware that the implication of my knowledge of songs and writers like that gives away some of my musical past that I wish not to talk about, it was before I sold my soul to the devil in return for mastery of the rhythm guitar part of some obscure Strokes B-side track
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youtube.com/@TheColourboxMusic
I have a 50w JCM800 and it's brutally loud, on the high input on 3 it is cutting through a loud band with a hard hitting drummer
Now that I'm older, wiser, deafer, it's back to stock albeit with a post phase invertor master and for those rare occasions it runs into a cab an attenuator as well.