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Also second cello club yesterday. Another Apocalyptica piece and something by Pester that had even more notes in it.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
re the using your ears thing biglicks mentioned, i used to play my guitar in bed in the dark when i first started to stop me looking at the frets and to make myself really listen to what i was playing. can highly recommend it. it makes you link finger stretch and tone, rather than fret counting. you start to feel tone in space, if that doesn't sound too abstract and art student.
re cello stuff, i don't know much but bach, britten and shostakovich are all things i used to have been into cello things by.
re contemporary, the auteurs' debut album (1993) was decent 'left banke' revisited chamber pop, i remember that being very cello-y. best of luck with your endeavour.
This is probably funnier if you'd been there when we saw a woman trying to convince two small children to play minigolf properly.
"Pirate golf is all about having fun and improving! Why aren't you doing either?"
On the upside, my teacher quite often remarks that I am now doing things "like a cellist", which I gather is A Good Thing, when learning to play the cello.
What bits are missing from your cello?
@equalssql I saw a great trio busking on a Berlin underground train using a cello like a double bass. Obviously the tuning is different, but it sounds good, takes up less space and is more portable.
Oh wow, I didn't realise you were playing an electric! What do you amp it with? @DLMs_Girl tried one through a Marshall acoustic amp and we thought the highs sounded like dogshit.
I've wiz'd geared tuners: I once watched her play in a crowded glass-faced school hall on a hot sunny day. Someone opened a window and the low C made a really interesting drop-da-bass sound as the draught caused the peg to slip!