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My statement is aimed at all the people that say it doesn't matter regardless, it's all in the pickups etc
I don't care what people play but to say it makes no difference is not true imo, I've built enough to know what i like and i still try different woods to see how it sounds and not all of it is great, I've got to take one apart and work out why it's not as good as i think it should be
(formerly customkits)
(formerly customkits)
1 - people believe wood makes a difference, and people buy guitars
2 - wood isn't that expensive as most people think it is
3 - moulds for plastic ARE expensive, let alone all the other machine to inject the plastic, etc. Fine for cheap plastic chairs that are made in the millions, probably not fine for making thousands of each body shape. Mayb
Also this:
Also, if wood and what not is so important why doesn't anybody discuss the type of plastic on a strat's pickguard? I mean, isn't that directly facing the strings? Why not toneplastic for the pickguard? How about the difference of block inlays and no inlays? Don't the inlays lay directly on the path of the strings?
Also this:
https://www.sciencemag.org/news/2017/05/million-dollar-strads-fall-modern-violins-blind-sound-check
Also this:
Also this:
Waiting for your argument of:
The developers of the electric guitar were electricians and woodworkers, not plastics people. The range of plastics was different then and it probably would have been prohibitively expensive to develop a plastic guitar anyway. But lots of alternate materials have been used since such as carbon fibre, aluminium, lucite, concrete ( really), steel, pallet wood, paper and plastic ( I have played a 3D printed guitar) either experimentally or commercially and they all seem to have sounded like electric guitars. They’ve either not caught on, been problematic, difficult to use or just really expensive. As a relatively simple construction material wood ticks a lot of the boxes you need to build an electric guitar. Some woods will also be more difficult to work with or not strong enough, too light or too heavy, or not easily available ( or easily available in any given time or place). And some woods we like the look of more than others.
It feels like the choices made as to what you make an electric guitar out of are constrained by a number of things before you get anywhere near the idea of tone wood. I simply don’t have the kind of experience that would tell me if one piece of wood sounds different from another. I am fairly sure,however, that in many musical contexts in which we hear the electric guitar those differences are so marginal that they aren’t detectable in the end result.
if someone else plays my own guitar somehow it does sound a bit different, although still similar in many ways.
Many guitars have a re-sale value. Some you'll never want to sell.
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Pickups from BKP, Oil City & Monty's pickups.
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Anything that changes the vibrational patterns of the string will have an affect on tone.
Focus on the pickup
Anything that influences the magnetic field of a pickup will have an affect on tone.
There are loads of variables we could argue about, but if they are not affecting the string or the pickup then they are not affecting tone.
Material choice will affect both. A good guitar will vibrate as one unit, it takes energy from the string and feeds some back in. The pickup is also resonating with the instrument Your amplified tone is the result of a vibrating string within a vibrating magnetic field.
I have built from loads of different woods. Tried most of the alternatives at some point. I don't focus on species at all really. It's all about the individual piece... But that is as a maker.
Players can just pick the one they like best and carry on.
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I'm not saying the wood definitely doesn't make a difference; I am saying that there is insufficient evidence to support many of the strong statements that people make in either direction.
Arguments about guitars made from concrete or cheese aren't terribly relevant.
I think do wood does make a difference in terms of damping, how much vibration it absorbs or propagates. The harder stuff like maple perhaps doesnt "sound" bright, just does not damp highs.
Compare the smooother highs on a LP custom vs Standard or a mahogany PRS custom 22 vs a maple top.
Then again you can get a 'not dark' guitar from cedar but then some real light wood misses the lows.
I'd love to investigate in depth with this stuff if I ever built guitars. Make an all mahogany strat for example or an alder and maple LP.
I'm not locked in here with you, you are locked in here with me.