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This is something I've been giving some thought to over the last weeks...
So below are my ramblings, which I hope you’ll find interesting. And to those of you who already know this stuff - my apologies…
Traditional pickup technology goes back to the 1950s, and I find myself wondering if the exorbitant prices for boutique pickups are truly worth it. (Noiseless designs are a different matter - there is ongoing R&D).
Indeed with my eyes closed and using purely my ears, I really cannot tell the difference between similarly specified sets of decent 'basic' pickups and more expensive 'boutique' ones.
I like how David Lockwood of Sound On Sound put it: ‘A good single coil is, the most musically versatile of pickups. It can be sharp, or deep; it can be sweet or nasty; it can respond to your loudest or softest touch. To achieve noise-free operation without destroying these subtle nuances of musicality has always been the ultimate challenge to the pickup designer.’
Common opinion is that no one makes 100% authentic noiseless pickups. It’s interesting that Duncan, DiMarzio and Fender offer both noiseless and traditional designs. Kinman AFAIK restrict themselves to noiseless pickups - putting their money where their mouth is...?
I have personally never liked the sound of an overdriven Stratocaster (at least in my hands). I tend to play Strats clean - and so 50Hz hum isn’t really that intrusive.
But when you hold a sustained chord, as the chord starts to fade, the noise / hum remains at the same volume and starts to become more and more intrusive.
‘If it was good enough for Jimi Hendrix...’
...yes but his guitar was often embarrassingly out of tune. And if he were alive today, would he be playing noiseless pickups and using a Floyd Rose? It’s anyone’s guess...
Shielding
It’s interesting to see many people advocating comprehensive copper / graphite shielding to reduce hum, when it has no effect (AFAIK) on 50Hz hum. It does however, reduce inductive buzz (the buzzing sound that you get when you take your hands off the metal parts/strings of the guitar). If done well, shielding can almost completely eliminate that. Plenty of online resources available re: 50/60Hz hum and inductive buzz...
Noise Gates
For real time / live playing - or staccato playing I’ve actually been surprised (and rather impressed) by various noise gates. If you however, end a song with a jangly sustained chord, the problem remains - as the chord slowly dies, the hum becomes more and more obvious...
...and if you set up your amp for higher gain, gate or no gate, the hum is quite audible, even when playing.
Noiseless pickups
The hum-cancellation of modern designs is fabulous - indeed they are even quieter than Alnico Humbuckers. (check it out on a Les Paul with some gain - each pickup on its own will hum, put the selector switch in the middle position and the guitar becomes noiseless. Interestingly, ceramic humbuckers are much quieter)
The Kinman Impersonators in particular sound lovely on each individual pickup. But in the ‘ in between“ positions - they don’t have that magic ‘Knopfler’ sound that you get from real single coils.
Kinman offer pole spacing of 52.5mm, 51mm & 49.5mm on bridge, middle and neck pickups respectively - apparently to optimise alignment of strings & pole pieces. But what it means in practice is that if you wish to change the colour of your pickup covers you have to buy a set from Kinman - and that’s really quite expensive - and irritates me.
Hum-Cancelling Systems (Suhr, Musicman, Ilitch Coil)
While they definitely reduce hum, they quite simply do not eliminate it as effectively as noise cancelling pickups do. There’s a lot of talk about ‘keeping your choice favourite pickups’ and reducing the hum - yes, but is that is a marketing gimmick?
If they did indeed eliminate 100% of the hum, would your pickups still “sound like themselves“?
...and the Ilitch coil costs $250 (plus shipping and VAT / customs duty). As much as a set of boutique pickups.
On reflection therefore - The ideal solution might possibly be:
I’d be very interested to hear your thoughts - please go ahead and wax eloquent...!
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Comments
The DiMarzio Area 61 is the best noise-cancelling Strat pickup I've heard. I haven't tried any of the other Areas. I have one of those in the middle position, and a couple of hotter side-by-side DiMarzios in the end positions.
I no longer have any interest in whether they sound exactly like traditional single coils or not - they sound good, and they do not hum. The end.
I haven't noticed any huge amount of buzz either - the cabling is shielded, and I think the coils are inside as well. The guitar they're in only has the traditional foil on the pickguard around the controls, but I've also replaced the wires to the jack with shielded cable. For traditional Strat wiring, I do think copper shielding in the cavities makes a large and worthwhile difference.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Fishman Fluence single width pickups are worth checking out - especially in Voice 2 mode.
£110 from Andertons: https://www.andertons.co.uk/guitar-dept/guitar-pedals/noise-gate-pedals/electro-harmonix-hum-debugger-pedal
Do they sound like single coils? Yes, I think they do, more or less. I’ve listened back to recordings done with that guitar and if I didn’t know they were what they are I wouldn’t be able to pick them out as not being proper single coils.
Do they feel like single coils? Not really, there is a bounce/responsiveness that real single coils have that these just don’t, they are ultimately humbuckers and that is what they feel like. If you are used to regular SCs this might be a step too far.
Ultimately I think it comes back to what @ICBM says about about the relevant questions being whether they sound good and whether or not they hum. I think the Kinmans sound “good”, they are their own thing in a way, which might be too much of a departure for some.
And yeah, just because they are hum cancelling doesn’t mean that they prevent buzz picked up
by unshielded wiring used for the rest guitar. Cloth wiring is vintage correct but definitely won’t make your guitar any quieter
The EMGs sound remarkably good. If you struggle to hear differences between cheap Strat pickups and boutique ones, you won’t really hear and difference with the EMGs. It sounds like a Strat!
Because EMGs are as fashionable as Gary Glitter records, you can get a set quite cheap if you hold fire.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm with this. It's part of the sound. Noise reduction by way of humbucking or pedals is subtractive and a trade off.
That said with my latest pickups I've gone to a vintage style shielding plate instead of just having shielded cavities and the noise is a fraction of what it used to be.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Even 1960s strat pickups don't sound like 1960s strat pickups anymore
Nothing is the one and only true correct sound
Does it have the SC characteristics you want? Does it sounds good? That's what matters
now I just use a volume pedal.
I used to use a noise gate but it definitely had a negative impact on my tone and I haven't used one for years now.
I agree that part of the strat sound is the hum so I don't have a problem with it. In certain situations you've mentioned, I'll try and be in a humbucking pickup position to avoid the extra noise.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein